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Danielle 2022-04-22 07:01:05
the truth of happiness
"The Change of My Son" is the most gripping film I've seen this year, the only thing that held me on a chair for two hours in a row. After the Oscars last year, I released this film. One is to trust the quality of Oscar's selection, and the other is to trust that Jolie's equivalent selection is...
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Okey 2022-03-15 09:01:03
Who can be irrelevant to the public?
The film is based on the famous Wynn Weir serial dismemberment and murder of children in Riverside County and Los Angeles, California in 1928. A film derived from a true event makes me prefer to focus on its social meaning.
This is not a story of dripping water, nor a story of a storm, nor a story...
Phil Van Tee
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Elbert 2022-03-21 09:01:32
1. The police said to Sanford, the boy who was coerced to kill by the killer: you put them in the ground, you can take them out of the ground. What a cruel policeman, this boy suffered more cruelly than the boy who was killed! Every time they got in the truck, I just wanted to die. After all he's a boy with a conscience, a 5 year old kid, like the troublemaker said: You can't do that, I'm just a kid. Poor, speechless, ignorant child. 2. A fluke
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Colt 2022-03-22 09:01:28
There's Jolie in almost every scene, but she's really not that great. I personally think Eastwood is the best movie ever.
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Detective Lester Ybarra: If that's how you want it, then I guess we're done here. Tell county jail we're remanding him for trial.
Arthur Hutchins: Wait. I didn't do anything. I wasn't even here when it happened.
Detective Lester Ybarra: By pretending to be Walter Collins, you're interfering in a police investigation of a kidnapping and murder. We can try you as accomplice to that murder after the fact. That's too bad. County jail is a lot worse than a juvenile hall or a foster home. It's a lot worse.
Arthur Hutchins: You can't do that. I'm just a kid.
Detective Lester Ybarra: Mm. Sanford Clark's a kid, too. Fifteen. He's going to jail. All murderers and their accomplices go to jail. Everybody knows that. Get him out of here. It's out of my hands now.
Arthur Hutchins: Wait. I don't want to go to jail.
Detective Lester Ybarra: [pause] Prove it.
Arthur Hutchins: I... I knew Los Angeles is where they make the Tom Mix movies. I figured if I could meet Tom Mix, maybe he would let me ride on his horse. His horse is named Tony. Did you know that?
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Dr. Jonathan Steele: According to your file, you believe that the police substituted a fake boy for your son.
Christine Collins: No, I didn't say he was a fake boy. He's not *my* boy. They brought home the wrong boy. My son is still missing.
Dr. Jonathan Steele: Well, that's strange, because I have here a newspaper article with a photo of you at the train station, welcoming home your son.
[shows her the article]
Dr. Jonathan Steele: That is you in the photo, isn't it?
Christine Collins: Yes.
Dr. Jonathan Steele: So, at first, he was your son and now he's not your son. Has this been going on for a long time? People changing, becoming something other than what they are?
Christine Collins: People don't change.
Dr. Jonathan Steele: You don't think people change?
Christine Collins: No, that's not what I...
Dr. Jonathan Steele: Shh! The police, they're not out to persecute you?
Christine Collins: No, they're not.
Dr. Jonathan Steele: No, they're not. The police are here to protect you.
Christine Collins: Yes.
Dr. Jonathan Steele: Really?
Christine Collins: Yes.
Dr. Jonathan Steele: Well, that's odd, because when you were admitted, you told the head nurse that the police were conspiring *deliberately* to punish you. So, either the head nurse and the interns are also conspiring to punish you or you're changing your story.
[pause]
Dr. Jonathan Steele: Do you often have trouble telling reality from fantasy, Mrs. Collins?
Christine Collins: No...
