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Wellington 2022-01-25 08:07:39
There is a love that transcends all
It's not an easy task to write something for a movie. First, it has to make me feel something, and second, it has to make me feel something. According to this standard, "Suspicious Clouds" made me feel that I wanted to write this article, and it also represented its status in my mind: this is a...
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Letitia 2022-03-22 09:01:28
calm or hope
Yet another extremely energy-dense film from Clint Eastwood.
The only flaw is that the ins and outs of the "fake Warter" were not explained clearly in the end, so I can only rely on my own imagination. Personal understanding of other places that have not been explained is based on the needs of the...
Pete Rockwell
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Chelsea 2022-04-23 07:01:32
Evil society has great motherhood. Jolie's acting is not bad, and the story is also profound and thought-provoking, but it feels a bit abrupt and hasty when solving the "killing a child" case, and it seems too long-winded in the end. Fuck you and the horse you are riding on! Why is our society always "being" employed and "being" committed suicide.
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Chris 2022-03-22 09:01:28
The old cowboy also took pictures of his relatives. 1. Adapted from real events, it presents American society, justice, and police-community relations in the late 1920s and early 1930s. A strong mother who is obsessed with finding her children, although her struggle against the system is difficult, fortunately, there is the help of the media. Using the Los Angeles Police Department (LAPD) as a target of corruption is reminiscent of [LA Confidential]. 2. Dongmu's narration is as calm as ever, and once again he personally performed the soundtrack. Several young actors (especially the repentant accomplice children) performed brilliantly, and Angelina Jolie's performance was a matter of opinion. 3. The photography and lighting are excellent. Many dark and high-contrast lighting are similar to film noir. The characters are often hidden in the shadows. The low-saturation, slightly brown tones also match the atmosphere of the 1920s and 1930s. The black and white-color gradients that echo each other are also very historical. 4. Homage to old movies: The boys who came to LA for Western star Tom Meeks and his steed Tony, [It Happened One Night] Oscar (though it wasn't as public at the time). 5. The priest has a cowboy character~ (8.0/10)
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Detective Lester Ybarra: If that's how you want it, then I guess we're done here. Tell county jail we're remanding him for trial.
Arthur Hutchins: Wait. I didn't do anything. I wasn't even here when it happened.
Detective Lester Ybarra: By pretending to be Walter Collins, you're interfering in a police investigation of a kidnapping and murder. We can try you as accomplice to that murder after the fact. That's too bad. County jail is a lot worse than a juvenile hall or a foster home. It's a lot worse.
Arthur Hutchins: You can't do that. I'm just a kid.
Detective Lester Ybarra: Mm. Sanford Clark's a kid, too. Fifteen. He's going to jail. All murderers and their accomplices go to jail. Everybody knows that. Get him out of here. It's out of my hands now.
Arthur Hutchins: Wait. I don't want to go to jail.
Detective Lester Ybarra: [pause] Prove it.
Arthur Hutchins: I... I knew Los Angeles is where they make the Tom Mix movies. I figured if I could meet Tom Mix, maybe he would let me ride on his horse. His horse is named Tony. Did you know that?
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Dr. Jonathan Steele: According to your file, you believe that the police substituted a fake boy for your son.
Christine Collins: No, I didn't say he was a fake boy. He's not *my* boy. They brought home the wrong boy. My son is still missing.
Dr. Jonathan Steele: Well, that's strange, because I have here a newspaper article with a photo of you at the train station, welcoming home your son.
[shows her the article]
Dr. Jonathan Steele: That is you in the photo, isn't it?
Christine Collins: Yes.
Dr. Jonathan Steele: So, at first, he was your son and now he's not your son. Has this been going on for a long time? People changing, becoming something other than what they are?
Christine Collins: People don't change.
Dr. Jonathan Steele: You don't think people change?
Christine Collins: No, that's not what I...
Dr. Jonathan Steele: Shh! The police, they're not out to persecute you?
Christine Collins: No, they're not.
Dr. Jonathan Steele: No, they're not. The police are here to protect you.
Christine Collins: Yes.
Dr. Jonathan Steele: Really?
Christine Collins: Yes.
Dr. Jonathan Steele: Well, that's odd, because when you were admitted, you told the head nurse that the police were conspiring *deliberately* to punish you. So, either the head nurse and the interns are also conspiring to punish you or you're changing your story.
[pause]
Dr. Jonathan Steele: Do you often have trouble telling reality from fantasy, Mrs. Collins?
Christine Collins: No...
