Olga Abrego

Wilfred 2021-11-14 08:01:27

This is a black-and-white film that makes people feel a little hesitant. With these two dates, all unequal fate about Paris seems reasonable.

Someone jumped down from a skyscraper.
　　
　　Whenever he fell one floor, he kept comforting himself and said:
　　
　　So far, not bad...
　　
　　so far,...

Mathilde 2021-11-14 08:01:27

This film was shown to us by our French foreign teacher. Here I want to record how, as French people, they watched this film.
This is the film I watched in the topic class about immigration. The three protagonists, one of Jewish descent, one of African descent, and one of Arab descent, all...

Lyla 2022-04-21 09:01:47

In my opinion, this film is relatively independent, and the ending is also very shocking, but maybe it is too far away from the young people of that era in France and not enough to understand the reason, and I always feel that it lacks resonance.

Bartholome 2021-11-14 08:01:27

Kasowitz not only vividly presents the confusion, restlessness and rage of youth, but also reveals the habitat of the minorities in the slums of Paris on the screen. The use of techniques such as panning the long-lens, follow-up, remote-controlled aircraft aerial photography, and sliding zoom are close to the level of dazzling skills. Vincent Caso’s performance is extremely lively. The pseudo-mirror symmetrical double lens pays tribute to [taxi driver]. Street cows, catch the train and carry pants, jusqu'ici tout va bien. (9.0/10)