Nino Castelnuovo

Reva 2022-01-12 08:01:28

This article is an interpretation written by the director for his own film. Original link

From Wilga to Gramsci

Nikki 2022-01-12 08:01:28

When Jia Zhangke's "Xiao Wu" first entered the West, the French felt an unfamiliar sense of familiarity. Xiaowu's nonchalant expression, messy streets, idle young people, and the rapidly changing face of the city... It's too much like the new Italian realism. Around the 1960s, Italy experienced...

Haskell 2022-04-24 07:01:18

7.0 I regret that the 2016 Film Festival chose the director's "The Big Dipper" instead of this one. Not only is the duration worth the ticket price (at that time, the ticket price did not fluctuate due to the duration), but also the deep tension of this brother's family and the imprint of the times. , bringing a sense of sadness

Virginie 2022-03-26 09:01:10

4.5. I said how familiar it is, but in fact, old Martin's roots are here. American-Italian films did follow Visconti, with large scenes, deep and far-reaching scenes, and the intricate connections and turbulence between characters, the suffering of the city and the alienation of people. Visconti has indeed shot the modernist aesthetic of the melodrama to the ceiling, and even old Martin's "Epic" looks like a student work by comparison.