Nathan Lang

Lizzie 2022-03-19 09:01:04

1. Is it really serious to say that this movie is Gong Dou's friends? From the beginning to the end, only Sister Stone faithfully followed the routine of blackening, seduction, and management, and she did all kinds of calculations. The other two parties are completely Buddhas, not to mention the...

Mona 2022-04-23 07:01:39

Looking at the sunshine outside the window today, I was in a daze, and suddenly remembered the show "The Favourite" that I watched 2 months ago. It was the first step in my life to watch it. It's not confused, it's tangled, chaotic, sober, hateful, and pitiful. Our sister Shitou blinks her big eyes...

Katlynn 2022-03-25 09:01:06

God, the Gorgeous man who had poor acting skills for the sake of ugliness endured the stench and watched an acid film of a nasty director's technical contrived hysteria deceiving the Actor Award (marketing number "Break!" の acting lololololol). what to do? Worse than "The Lobster"! Does the pump only have two expressions? Rotten to death forever on my must-skip list. So uncomfortable, what can I do to wash my eyes? !

Abigail 2022-03-24 09:01:35

The language is rude, the aristocratic life is decadent and absurd, the queen is sensitive, violent and capricious, the palace fighting methods are naive and direct, some of the darlings are innocent and ambitious at the same time, and some are lucky but have a heart for the country. The ritual of repetition and contrast, which the director loves, is suitable for Gongdou dramas. The palace was originally the road to the holy (so it is full of contrasts), the rituals in the court, the ritualization of relationships, and the rituals emerge one after another here. His ritual experiments along the way, from proposing a theoretical framework, to a closed, cold laboratory (in vitro), to this one becoming more human (in vivo). Perhaps the historical drama itself is relatively open. What's more, the comparison and repetition this time are the queen and her two darlings. The possession and use of delusional love, and the negative concern and dependence, are repeated and compared with how the two darlings win the queen's love, and I will show you the experimental results: the previous "passive implication is doomed and futile", here is "love" futile labor". With love or without love, the three protagonists are finally accomplices with more positive results.