Naoto Takenaka

Naoto Takenaka

  • Born: 1956-3-20
  • Height:
  • Extended Reading
    • Peter 2022-04-08 08:01:02

      I just ran because I couldn't write a short review.

      A few weeks ago, I went to CILL to ask my English teacher to change my personal statement. After reading a certain paragraph in it about the reason for my future research direction, she said, go see this, your thoughts are quite similar to the paragraph in it.
      The school library is probably holding...

    • Freddy 2022-04-08 08:01:02

      Walking on the Long March with Wenders is a very depressing thing when we go

      12 February 2008, 5.50pm, BFI Southbank Hall NFT1, London. 5 minutes ago, a couple sat next to the seat I wanted to enjoy alone. Forced by the powerful power of love, I moved the starting point of my expedition with Wenders a row forward. XM, who has not met, is sitting somewhere in the front row,...

    • Chelsey 2022-04-21 09:03:52

      At 284 minutes, the longest movie I've seen so far. The most impressive thing is the Japanese scene. The costumes and props are very beautiful, as if they have traveled back to the ancient times of our country...

    • Kathryne 2022-04-09 09:01:09

      4.5; The five-hour volume is majestic enough, such as the epitome of a brief history of mankind - the space dimension, going through all parts of the world until it ascends into space; the time dimension, with the original civilization originating from the land resisting the erosion of industrialization/nuclear weapons, at the expense of reality The freshness of life achieves technological development; the cultural dimension, from recording history in language to indulging in memory/dream imaging, and finally saving it for writing. Exploring the dangers of ethical forbidden areas, creating self-destructing monsters, nuclear weapons and brainwave image generation are the means of internal and external presentation. Continuing the consistent themes and expressive techniques, and reconciling various image media, such as the Japanese section such as "Looking for Ozu" and the Australian section such as "Paris in Texas", the photography is breathtakingly beautiful, especially the dream figurative generation in the second half, which is psychedelic and dizzy. Qi Ru escapes into the abyss of narcissism; the soundtrack is as good as ever. The song of doomsday anxiety, composed on the premise of the end of the century, takes the writer's narration as the cut-in perspective and runs through it, so it has the meaning of "fictional" text and has a metaphor written by God. The front and back are slightly split, and I prefer to get lost in the soul maze in the second half, even with a hint of Herzog.

    Until the End of the World quotes

    • Peter: You come along now Henry. You come away from here. You know its wrong for you to be here.

      Henry Farber: Wrong for you Peter. But, okay for me. You know, I'm a white fellow, you know.

    • Peter: You're my brother, Henry. That never changes. Never! You helped our people and for that, I thank you. But, I didn't understand what you wanted! If Ronda hadn't...

      Henry Farber: Peter, no one ever did this before - in the history of our planet.

      Peter: A damn good job to! Imagine what you could hang on your walls, instead of my people's paintings? You could exhibit the inside of our heads! Our dreams! And all our old people's secret knowledge. You know that, Henry.

      Ronda: You think we want you walking through our dreams - with your fancy cameras?