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Antonio 2022-03-13 08:01:01
ghost
8.0
In order to commemorate the 80th anniversary of the film, the director's cut has the opportunity to be retrieved and released. If there is a chance, I would like to see the whole picture. Classical music is different from folk music, the latter responds to reality, but the former is detached, it...
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Dortha 2022-03-13 08:01:01
the director said
Orson Welles is an artistically innovative and talented director, best known for "Citizen Kane". "Citizen Kane" freed the film from the shackles of the traditional pattern for the first time and created a precedent for modern film. However, it was both the beginning and the end of Welles'...
Nancy Gates
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Eleanora 2022-03-13 08:01:01
nostalgic and heartbreaking, THE best Orson Welles
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Clara 2022-03-24 09:03:46
Even in this remnant that has been poisoned by savage hands, we can still see the glory and grandeur built by Orson Wilson. Yet all grandeur must be annihilated, which is the most disturbing message of this ruined masterpiece. Everyone in the big house was thinking of the grace and unfinished desires of the past, and the undead past cast countless shadows on these people, blinding their eyes to the present. Yes, who is willing to give up the grand and magnificent sight? Studios and audiences don't want to see any decay, so try to misinterpret it. And that weird ending turned out to be the movie's best irony: you viewers! I would rather believe in hypocritical tenderness than see the vicissitudes of history.
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The Magnificent Ambersons quotes
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Eugene: I know what your son is to you and it frightens me. Let me explain a little. I don't think he'll change. At twenty-one or twenty-two, so many things appear solid and permanent and terrible. Which forty sees are nothing but disappearing miasma. Forty can't tell twenty about this. Twenty can find out only by getting to be forty.
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Lucy: Don't you remember? We'd had a quarrel and we didn't speak to each other all the way home from a long, long drive. And since we couldn't play together like good children, of course, it was plain we oughtn't of play at all.
George: Play?
Lucy: What I mean is, we've come to the point where it was time to quite playing. Well, what we were playing.
George: That being love, as you mean, don't you?
Lucy: Something like that. It was absurd.
