Mohamad Ali Keshavarz

Mohamad Ali Keshavarz

  • Born: 1930-4-15
  • Height:
  • Extended Reading
    • Jimmy 2022-04-19 09:02:45

      Through the olive trees

      Through the olive trees and the Chinese translation of the lover under the olive tree, whether it is a "lover" movie did not give a clear meaning?

      The last long shot is really beautiful, the woods, the rice fields or the wheat fields or the grass

      After the happy music sounded, the two met, and the...

    • Reggie 2022-04-20 09:02:25

      explorer

      After watching "The Lover Under the Olive Tree", this together with Abbas's "Where Is My Friend's Home" and "Life and Flow" collectively called the country trilogy, the intuitive feeling of these three films is to The film's exploration of the boundaries between reality and fiction is very strong.

    • Eveline 2022-03-21 09:03:12

      It's so good-looking, simple and not boring, it can be said to be small and fresh, but not pretentious, the actor is even a bit annoying haha. The cover shot, and the last shot, are so beautiful, watching the film is refreshing... it looks better than "The Taste of Cherry"

    • Felipe 2022-03-19 09:01:09

      Making a movie is like building a house—built and demolished, demolished and built—Abbas is a master of post-structuralism. Few people, like him, can make movies as real as life. After watching "Lover under the Olive Tree", I actually cried like a child. When the heroine got up and picked up the pot of flowers that survived the earthquake, I couldn't help but remind me of my mother: when she was a child, the house at home collapsed suddenly. There is no road in the world-the survivors probably have an amazing optimism about life: whenever I go to a place with her, she can always find a shortcut among many roads. She always does not force me to take that path, and sometimes I choose to follow her, and sometimes I choose to stay where I am-watching her while walking my own way. Movies are the art of "24 frames per second", just like life-living to death. Abbas’s lens is our eyes, and our eyes are our way out. This kind of consistency can be felt in his unpretentious, concise and precise film art-watching a movie with your heart, you will be more tolerant than watching a movie with your brain.

    Through the Olive Trees quotes

    • Hossein: Mam, I'm really sorry. I want to do everything you ask me, but I won't do masonry. I don't work in construction anymore. I came to act in your film. I will work as an actor, but not as a mason.