Mitsuru Fukikoshi

Mitsuru Fukikoshi

  • Born: 1965-2-17
  • Height:
  • Extended Reading
    • Ludwig 2022-04-23 07:05:31

      full of spirit

      First of all I want to pay tribute to this old director, and secondly I feel ashamed of myself. Excellent culture can be passed down in other countries, but it is less and less valued in its own birthplace. The long shot at the beginning is enough to prove that this is an extraordinary film....

    • Garrick 2022-04-24 07:01:25

      To stick to poverty is to wait for happiness to knock on the door

      Because it was very late, it was straight to the point.

      The film is very good. I believe that anyone who has experienced ups and downs in the system and has experienced misses, reunions, misses, and reunions will be deeply touched.

      Indeed, the Qing guards have been guarding the status quo for most...

    • Alisha 2022-03-31 09:01:09

      The soul of a dormant samurai has awakened; the two duels of the Qingbingwei are Tomo River; like a butcher who kills a pig, sharpen his knife before going out to battle; only when his wife is guarded at home can he return triumphantly; the wooden sword in the left hand, the small sword in the right hand, Kojiro Sasaki He was also killed in this way; Qingbingwei confessed to Pengjiang before the battle: give himself more hope of surviving (victory) + salary increase; Pengjiang is a symbolic scene of Qingbingwei's grooming - "Massage and Woman"; old age The "confusion" and sobriety of the dementia-stricken mother; the Qingbingwei peasant and the woodcutter - the merchant of "Hidden Sword"; the age recalled by Keiko Kishi - the span of the era from the end of the Edo period to the beginning of the Showa era, and the end of the samurai era is inevitable.

    • Cindy 2022-03-28 09:01:13

      Personality: This is a life movie. In the past two years, I have been very fond of Yamada Yoji, and I know that he is best at life movies. I thought Dusk was a samurai movie or a sword and halberd movie that he made while playing tickets. After reading it, I understand, it is still a life movie! Agatha said that he is a real big director, he doesn't play with flowers, and doesn't stress much about authorship, that's right! Movies are all based on the most basic movie elements, the script is extremely solid and delicate, the casting and performance are both very advanced and not too hard, the camera editing is calm and smooth, and the performance points are controlled. The expression is not abrupt at all, because that will affect the plot. The scent is also stable! The mood is also great! In fact, all of this is still a unique and inimitable advantage of Yamada Yoji. In the past, for many movies, I didn't bother to talk about the plot. I felt that it was generally clear at a glance, and it was not particularly worth talking about in depth. But Yoji Yamada's plot is worth talking about again and again and thinking about taste. Because his own thinking is too deep, too valuable. There are a lot of narrations in this film, I didn't think it was necessary at first, but it played a big role at the end, shocking!

    The Twilight Samurai quotes

    • Kayano Iguchi: Father, If I learn to do needlework someday I can make kimonos. But what good will book learning ever do me?

      Seibei Iguchi: Well, it probably won't ever be as useful as needlework. But you know, book learning gives you the power to think. However the world might change, if you have the power to think you'll always survive somehow. That's true for boys and for girls. All right?

      Kayano Iguchi: Yes.

    • Seibei Iguchi: I am ashamed to say that over many years of hardship with two daughters, a sick wife and an aged mother, I have lost the desire to wield a sword. A serious fight, the killing of a man, requires animal ferocity and calm disregard for one's own life. I have neither of those within me now. Perhaps in a month... alone with the beasts in the hills I could get them back. But tomorrow, I am afraid, is completely impossible.