Mirsad Tuka

Garnet 2022-03-21 09:02:14

Yesterday, I watched "Underground" at the Film Archive. In fact, when I first learned that the film lasted for three hours, I was very resistant. I even went out without makeup, and when I passed by a convenience store, I bought yogurt and gummies with confidence, just in case. needs.

I didn't...

Sister 2022-04-21 09:02:34

　　The film shows the director's understanding and complex emotions of the Yugoslav nation through the legendary lives of the three protagonists - intellectual and speculator Ma Gao, his friend Hei Zai, and their common love Natalie. Although the film is two and a half hours long, it does not...

Rahul 2022-03-21 09:02:14

Can't watch epic, neither Lawrence nor Underground. 1994 and 1995 were the two years when Cannes promoted postmodernist films. In 1994, the Palme d’Or was Quentin’s Pulp Fiction, and 1995 was Kusturica’s Underground. One is in the structure and the other is in the content. The post-modernity of Pulp Fiction is mainly reflected in the three-stage collage loop structure, polycentric or non-centric, and the mediocre content (the stories of a few gangsters) is also an aspect that distinguishes it from profound modernity, and Some kind of deconstruction in content. The postmodernity of the underground is mainly highlighted in the content, which is prominently reflected in Bakhtin's hybridity, dialogue, noise, and carnival, so the performance is also extremely exaggerated and humorous, as well as some kind of surreal. postmodernity, deconstruction, Bakhtin, heterolingualism, carnivalization, hyperbole

Brody 2021-12-24 08:01:16

Noisy, disturbing, lengthy, pretending to be X