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Fay 2022-01-22 08:03:04
Big directors prefer the theme of "self-seeking"
In 2008, I wrote about
Wenders's work "Don't Knock on the Door", the plot is simple and gentle.
It seems that there are no big ups and downs, but it is very fascinating.
Light and shadow, lens, music, everything is carefully designed.
The colors are bright and the rhythm is comfortable. Suspense is... -
Delia 2022-01-22 08:03:04
don't come knocking
Like most road movies and westerns, a movie that looks dull, slow and most likely has no ups and downs from beginning to end. When I watched this film, there were "Texas Paris" and "Broken Flower" running around in my head. Thank God it was not dull without them.
An old cowboy actor who eats,...
Mike Butters
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Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
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Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
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Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
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