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Alberto 2022-03-29 09:01:07
A PRIVATE WAR: "One Eyes Open, One Eyes Closed" Humanity Slaughter
I have watched a lot of dramas, and I will be asked from time to time, "Is it okay to watch the series?" It is easy to answer bad movies, and many movies really can't jump to conclusions. Compared with "good to see" and "must see", it is more common to say "worth watching" recently. It's worth it,...
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Roberta 2022-03-29 09:01:07
present the truth to the public
Quite shocking, as a freelance journalist, there is no official protection from the military, but the content does not need to be censored by the military before submitting
In the Hundred People's Pit, there were actually many women who came to look for the bodies of their relatives who died 13...
Michèle Belgrand-Hodgson
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Garrett 2022-03-30 09:01:08
[Beijing Film Festival Screening] Live-action biopic. It's a tribute to a war correspondent and a portrait of a strong woman's career. Pei Chunhua is like being reborn, and she has performed the heroine's perseverance and struggle under the double torture of physical and psychological. The performance of the queen level is admirable! But the narrative rhythm of the film still feels like a running account. Tears at the end, but where does the heroine's belief come from? Perhaps in addition to rendering and sensationalism, a more three-dimensional portrayal is needed. Samsung and a half
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Hilma 2022-04-23 07:03:50
No.55 The story is marginalized, and it is all supported by the acting skills of the actors.
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Newspaper Editor: Why is it important, do you think, to see this images? Why is it important for you to be there? Right now you may be one of the only Western journalists in Homs. Our team has just left.
Marie Colvin: For an audience for which any conflict is very far away, this is the reality. There are 28,000 civilians, men, women and children, a city of the cold and hungry, starving, defenseless. There are no telephones. The electricity has been cut off. Families are sharing what they have with relatives and neighbors. I have sat with literally hundreds of women with infant children who are trapped in these cold, brutal conditions, unable to feed their children anything other than sugar and water for weeks on end. That little boy was one of the two children who died today. It's what happens every day. The Syrian regime is claiming that they're not hitting civilians, that they're just going after terrorist gangs. But every civilian house has been hit. The top floor of the building I'm in has been totally destroyed. There are no military targets here. It is a complete and utter lie.
Newspaper Editor: Well, thank you for using the word " lie ". I think a lot of people wanna thank you, because it's a word we don't often hear, it's not often used, but it is the truth in this case. The Syrian regime, their representatives, have continually lied. They've lied on this program to us directly. Marie, I mean, you have covered a lot of conflicts over a long time. How does this compare?
Marie Colvin: This is the worst conflict I've ever seen. It's the worst because it was a peaceful uprising that was crushed by violence. President Assad is sitting in his palace in Damascus in panic, the entire security apparatus his father built crumbling around him, and he is responding in the only way he's been taught how. When he was a child, he watched his father crush oppositions by shelling the city of Hama into ruins and killing 10,000 innocent civilians. He watched, as we're watching, a dictator killing with impunity. And the words on everybody's lips here are, " Why have we been abandoned? ". " Why? ". I don't know why.
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Marie Colvin: Your apartment looks like Patrick Bateman's London nightmare.
