-
Alberto 2022-03-29 09:01:07
A PRIVATE WAR: "One Eyes Open, One Eyes Closed" Humanity Slaughter
I have watched a lot of dramas, and I will be asked from time to time, "Is it okay to watch the series?" It is easy to answer bad movies, and many movies really can't jump to conclusions. Compared with "good to see" and "must see", it is more common to say "worth watching" recently. It's worth it,...
-
Roberta 2022-03-29 09:01:07
present the truth to the public
Quite shocking, as a freelance journalist, there is no official protection from the military, but the content does not need to be censored by the military before submitting
In the Hundred People's Pit, there were actually many women who came to look for the bodies of their relatives who died 13...
Michèle Belgrand-Hodgson
-
Marques 2022-03-25 09:01:18
Back then, I was envious of Gao Lei for a long time. It is said that he was rich in his family, but he liked to be a war photographer, and his films were also excellent. After reading Capa's book again, I was so excited that "you didn't shoot well enough because you weren't close enough", so I changed the rangefinder, and the M7 clicked. Later, I finally compromised with myself, and found that it was not the material of humanistic photographers. Years have passed, and the ideal has also passed away, and I have embarked on another path that I did not want to take. But I like that there are always people with ideals in the world, people who are always persistent for one thing.
-
Micaela 2022-04-21 09:03:03
Why can't rendering the protagonist's glory bring the audience...
Related articles
-
Title Card: In 1986, Marie Colvin began a career as a war correspondent writing on the frontlines of every major conflict from Iraw to Afghanistan to Syria.
-
[first lines]
Interviewer: Last question. Fifty years from now, some youngster's gonna pull this disc out of a box and maybe make a judgment about becoming a journalist. What would you want that youngster to know about Marie Colvin and about being a war correspondent?
Marie Colvin: Very difficult question. It's like writing, uh, your own obituary. I suppose to look back at it and say, you know, I cared enough to go to these places and write, in some way, something that would make, uh, someone else care as much about it as I did at the time. Part of it is you're never gonna get to where you're going if you acknowledge fear. I think fear comes later,
[realization chuckle]
Marie Colvin: when it's all over.
