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Merl 2021-11-30 08:01:25
Which one is more cute, Tang Laoshi or Dog? This is a problem.
As an unobjective fanboy, this comment is equivalent to Tom Hardy's cult of personality.
I can think of Tang Lao wet the last time he played Bob or handsome bob, the pitiful little gay who longed for love [too far. The Bob in the play, with an ordinary name and an ordinary career, beats... -
Vaughn 2021-11-30 08:01:25
This killer is not too stupid
The whole movie paved the way for the first half of nearly 90/half,
just for the transition of the ending plot and the sublimation of the old wet.
I don’t know how many audiences like me were gently beaten in the face at the end=v=~~~
So malicious thoughts emerged. look barrage version of...
Michaël R. Roskam
Michael R. Roskam (Michael R. Roskam), born in St. Martin, USA on October 9, 1972, is a Belgian director, screenwriter, and producer.
In 2004, directed his first short film "Carlo". In 2005, he served as the director of the short action comedy "Selected Shorts #1". In 2011, he directed his first film " Bullhead ", which was nominated for the 84th Academy Awards for Best Foreign Language Film
[1]
. In 2014, directed the crime film " The Drop "
[2]
, which was nominated for the Golden Shell Award at the 62nd San Sebastian International Film Festival. In 2016, he served as the director of the TV series "Berlin Information Station Season 1". In 2017, directed the crime film " Le Fidèle "
[3]
. In 2018, directed the thriller and adventure film "The Tiger and the Tiger"
[4]
.
Character Evaluation
The film directed by Michael R. Roskam expresses the split vividly with a gloomy tone and slow narrative. The 2014 movie "The Drop" continues Roskam’s anti-type crime film style, telling violence, but it does not use violence as a visual impact. The loss of male dignity and the decadent industrial city have become scattered but not redundant. The core theme is slightly sad behind the narrative
. Moreover, the film does not pile up cheap horror elements very superficially, but makes the whole story very smooth and natural, full of surprises
. At the same time, he is concerned about culture and group self-identity confusion, regardless of the theme of the film, or the style of the film, he is a unique director .
Extended Reading
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Nadia: He killed a kid named "glory days."
Bob: Yeah. I heard that. Yeah, I heard that. Richie Whelan. And... Why?
Nadia: I don't know. He's not a big fan of "why," Eric.
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Nadia: But you're still in the life.
Bob: Me? No. No. No, no, no. I just tend the bar.
