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Laverna 2022-06-13 17:01:31
Ghosts and ghosts
As a religious film with minimal scenes and obscure lines, it gives people a metaphysical temperament. In terms of images and pictures, it is still Piara's typical rough, naturalistic temperament.
As a devout believer, Father Dosani would beat himself with chains to punish the desires and evil...
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Nadia 2022-06-13 21:59:48
so dark night
I have a small book in my bookcase that I bought ten years ago. I used to find it among the many books, look at the black cover, flip through it, and put it back. I'm pretty familiar with this story, but I still feel like I haven't read the book. Its strangeness, deepness, mystery, and obscurity...
Maurice Pialat
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Nedra 2022-06-13 13:32:39
God or Satan? The believer's dilemma. It's not just the crime that lures, it's the idea that's more deeply. Piara is dull (composure) not very likable, as Depardieu puts it, he puts him in a position of being unlikable, but he is deeply loved. The films of the 1980s captured the spirit of the 1950s and 1960s.
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Adela 2022-06-13 18:19:39
A literary and artistic film of the dead, the entanglement and philosophy of the dead. . .
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Donissan: God is mocking me.
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[first lines]
Donissan: With you, everything looks easy. Alone, I'm useless. I'm like the zero, only useful next to other numbers. Priests are so miserable. They waste their lives seeing God being ignored. People make jokes on us. We're like those walls where people write obscenities.
Menou-Segrais: You're tired.
Donissan: Tired? I'm not tired. Tired is a bad thought.
Menou-Segrais: Suspend your visits.
Donissan: Those visits do more harm than good. In the beginning, I didn't know evil. I learned it from the mouths of the sinners.
Menou-Segrais: No one knows better than a priest about the terrible monotony of sin.
Donissan: I can't speak to them. I can't only make absolutions and feel sorry.
Menou-Segrais: If one absolution in thirty was worthy, the world would be brief.
