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Gertrude 2022-10-11 19:41:52
their group (our group)
It's hard to believe that such a film was born in 1970.
We have to understand the context at the time. (It was the best of times and the worst of times.) In America in the 1950s and 1960s, homosexuals faced far greater legal and social moral hostility than the Warsaw Pact allies. Facing all kinds... -
Sophia 2022-10-11 14:37:51
Ninety-nine to one: self-identification
All being mean to others is self-loathing, and a subconscious rejection of this disgust to gain a seeming inner peace and self-esteem.
There are nine characters and nine personalities, but none of them can get around a common motif: the self-identification of comrades. Different personalities are...
Maud Adams
Performing Experience
Personal Life
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Michael: Oh Harold, he's beautiful.
Harold: Yeah, beautiful. He has unnatural, natural beauty. Not that that means anything.
Michael: It doesn't mean everything.
Harold: Keep telling yourself that, as your hair drops out in handfuls.
Michael: Faggots are worse than women about their age. They think their lives are over at thirty. Physical beauty is not all that goddamn important.
Harold: Course not. How could it be? It's only in the eye of the beholder.
Michael: And it's only skin deep.
Harold: Only skin deep. It's transitory, too. It's terribly transitory. Oh yes. It's too bad about this poor boy's face. It's tragic. He's absolutely cursed. How could his beauty ever compare with my soul? And although I've never seen my soul, I understand from my mother's Rabbi that it's a knock-out. I, however, cannot seem to locate it for a gander. And if I could, I'd sell it in a flash, for some skin-deep, transitory, meaningless beauty.
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Michael: One could murder you, with very little effort.
