Mariusz Jakus

Kacie 2022-03-24 09:02:37

How beautiful is "Sister Ada"?

It's a four-to-three narrow-screen, black-and-white film that was made in 2013, but the U.S. market is this summer. I don't reject black and white, but I'm still not used to the narrow screen for a long time, so you can choose to sit in the front seat, after seeing...

Gerhard 2021-12-26 08:01:32

Ada, a nun who grew up in a monastery, is innocent and pure, with only God and Jesus in her heart. She seems to have no wish. The oath ceremony next week will be like breakfast next week. It is normal and should happen. The world is so lonely. Pure white, like an upper 2/3 screen that never...

Alexa 2022-04-20 09:02:02

A touching journey. For my aunt, this was a belated verdict, whether it was the "sinner" or her own redemption, but "unforgiveness" should be the best consolation for the victim. For Ada, searching and trying until the final return is also redemption, and tolerance is a virtue, especially when it comes to oneself.

Gretchen 2021-12-26 08:01:32

This film actually requires a lot of background knowledge of the audience. The first and most basic thing is that Maria Magdalene is a Jewish prostitute, which is a necessary condition for understanding the arc of Ada, and the second is the anti-Jewish trend in Poland during World War II and the postwar period. The seizure of Jewish assets is a necessary condition for understanding Ada’s self-reconstruction, but if you still understand the leaders of Poland under socialism and the social atmosphere at that time (so rotten singing and dancing under socialism really shocked me) . The film is a road-type film that dilutes the narrative. Through the reconstruction of self-cognition and the understanding and experience of desire, Ada has completed the initiative to embrace Christ as an individual like Mary. All the narration is the cause-effect to show, omitting the process of completion in the middle, matching the composition of placing the characters off the center of the picture, the text prompts the red, which is the most difficult to express in black and white tones, so that the whole film has the beauty of abstinence. . In the end, the unrestrained hand-held camera broke the pattern of not expressing the process. Whether debauchery or surrendering to God, it is the expression of Ada's maturity as an individual, a rare freedom under the authority of collectivism.