Mamiko Noto

Ezequiel 2022-04-12 09:01:11

Holding Marumi who was hit by a car because she accidentally let go of the rope. The grown-up Yuezi finally said: "Ma Lumei, I'm sorry. I'm very sorry."

At first, Yuezi couldn't look directly at her feelings, let alone take responsibility for her actions. First of all, she was afraid that she would...

Rigoberto 2022-04-10 08:01:01

Ask yourself, if this film is made into a theatrical version, its setup and depth are just ordinary, but if it is shot in a 24-minute TV version, it will become something magical.

The first four or five episodes seem to be made into a collection of short stories that make up the soul. Unexpectedly,...

Roslyn 2022-04-16 09:01:09

Exhausting the expressions of animation and TV, the narrative is exquisite, the imagination is flying, and even the OP and ED are very deep and shocking. The core is a chilling introspection—anti-healing, almost disgusting (particularly sharp) about the way Guemo’s self-healing retreats. There is no going back to being human, and all the comfort of finding comfort zones is in vain. The captain's words at the end are a pain in the skin.

Katlynn 2022-04-10 08:01:01

The predecessor of パプリカ used many elements in this one. Every episode is terrifying and sad, and it really points to human nature. Boy バット is a monster, a monster created by the times. You can't escape the reality you are in. Don't lie to yourself or rely on the peace of the outside world. Those who escape will be killed by that boy (self) and will be engulfed by darkness. Gain strength from the darkest and saddest. The story never ends because people need "マロミ"