Lino Ventura

Lexie 2022-01-12 08:01:24

In Bresson style, for
example, a man uses a rope with an iron hook to climb the outdoor balcony, and the elevator escapes- "Death Convict Escape"; the woman's inner monologue and the fading voice of the footman-"The Diary of a Country Priest"; the man points a gun Behind the boss, young people shot...

Martina 2022-01-12 08:01:24

Frankly, this classic turns out to be a disappointment for this particular viewer. The cinematography is great, as expected. The famous Miles Davis improvised score is delicate and suitable melancholy. But the movie suffers from an overall listlessness: the narrative is slack, the rhythm is...

Federico 2022-03-14 14:12:26

I think of twelve angry men! In addition to the similar production period and the same blockbuster debut, it also evokes similar questions about the two works: the repeated use of core elements. Yes, the testimony of the black boy was questioned or even overturned by Juror No. 8. But things like guilt do not exist in isolation in a vacuum. The probability that they appear in a case at the same time but they are all unfounded is close to zero; similarly, the narrative path usually only has one accidental or natural narrative. Unexpectedly, and the film went from being left behind, to being trapped, from losing the car to shooting, to the final photos in a row? To make a joke, director Mahler’s attitude towards conspiracy of men and women can be described as: there is no coincidence for the crime to be exposed! ...But fortunately, the main point of the two films is not the logic itself. Or drama tension and speculative spirit, or blues melancholy and love steadfastness, just create classics.

Ayla 2022-03-19 09:01:07

It turns out that the Left Bankists are not just directors who resemble Alan Renai's melon skins. Moreau is known as the lover of the new wave, but forgive me it's hard to find the beauty.