Lesley Sharp

Cora 2022-01-19 08:01:46

Among several well-known American drama subtitle groups, Feng Ruan's production speed is relatively slow, but fortunately, they still have several exclusive series released one after another. The eighteenth season of "Law and Order" (not SVU or CI, the oldest one) is one of them. I have to admit...

Gia 2022-01-19 08:01:46

I have always liked this kind of thinking and challenging inherently inappropriate and restrictive movies. It just so happens that this one is about homosexuality. The Catholic priest turned out to be GAY, which is remarkable, especially decades ago. But in my opinion everything is human and...

Carmela 2022-03-17 09:01:08

Such a weak belief is extremely fragile and has nothing to do with homosexuality. Regarding God as a magician who cures intractable diseases (spiritual and physical weaknesses and deficiencies), as a tool, but not an end. The verses chanted in the mouth are just fables of self-comfort. The film mentions body several times, refuses to send the Eucharist to the lover, and desires the flesh of Jesus on the cross. Body becomes the top priority of everything. However, the road to sanctification does not lie in contempt for the flesh, nor is God incarnate to highlight the insurmountable gulf between man and god, let alone how the two can produce irreconcilable contradictions under the will of God. At first I felt that the priest's beautiful appearance was covered with mud tiles, how could the priest be so insulated from the sacred. Later, I felt that the selection of roles could not be more appropriate, degrading holiness into a canon, and then into a secular ethical commandment. I entangled all the insignificant things, but refused to look directly at the true faith. It can be said that ascending to the altar, wearing the priest's clothing, but it is the one farthest from God... ps There is another funny thing I can't figure out, that is the shattered fantasy of the priest

Deontae 2022-04-19 09:02:44

The most in-depth discussion of religion and comrades in the film I have seen, from the perspective of a priest, questions the maliciousness of religion to comrades, explains it with great love, and supports it with self-love. I especially like the editing of this film, which is full of dramatic conflict and explosiveness, and Linus Roache's acting skills and charm are brought into full play in the film. After experiencing depression and contradictions, the cry at the end is so moving, applauding for courage and singing for understanding.