Leonard Harris

Arden 2022-04-22 07:01:02

By Arthur Bell / The Village Voice (Originally published on August 18, 1975)

Proofreading: Issac

Arne 2021-10-19 09:50:51

Going out to take a taxi, two consecutive red lights. The driver sighed helplessly through his nose. Recalling the days when I rode to school in junior high school, there was only one intersection on the way. For me, who was used to going out with a touch of pressure, a red light for fifty...

Hollis 2021-10-20 18:58:58

Lao Luo is destined not to be a hero with a crowd of enthusiasts, or even the tough guy in the traditional sense. He is an angry bull, a gentle cook, a cold gangster, and a enthusiastic friend. He is like a rapist, but he is also Knowing how to appreciate the dance of a swan, he can be a good boss, or a marginal person who is confused. There is an extremely complicated possibility in him, and it is this huge possibility that makes him seem so ordinary

Fredy 2022-04-24 07:01:02

You can even see the shadow of a taxi driver in Wong Kar Wai's movies. Scorsese's former literary style is rare since the angry bull. In the post-Vietnam War movies, the taxi driver is outstanding. It is different from the angry one. The bull established Scorsese's place in history. The killing and suicide symbol at the end, the mark of an era; Jodie Foster's long legs are still unforgettable; the dirtiest New York; Vietnam war scars; Scorsese movies have the social nature