Lawrence Chou

Amanda 2022-03-25 09:01:22

There really aren't any good horror movies lately , so
I watched a few of them,
so I remembered seeing ghosts again.

Now that I think about it, the visual experience this film brings to me is amazing. I
remember when I just watched it, there was nowhere to be seen, scaring the baby to death.
The...

Tina 2022-01-27 08:23:30

A very peculiar movie-watching experience, obviously a horror movie, but the discussion is about the fear of people who have returned to the Ming Dynasty how to adapt to the new world. This fear does not come from ghosts, but from the unknown. On the contrary, the ghosts in the film are not...

Newell 2022-03-24 09:03:38

The first half is fearful and evasive, the second half is face-to-face, the last fateful reincarnation, I am afraid because of other people's tragedies, and the tragedies caused by other people's fears, I especially like the various scenes of hell in the first half and Li Xinjie who plays the violin It's so charming. Although the reconciliation in the second half doesn't feel anything, even if the final reincarnation still cannot be saved, some things have changed. You can appreciate life and death, see beauty and evil, then you don't need to see it anymore, everything has already been felt . "Some things don't hurt unless you can't see them."

Waino 2022-03-14 14:12:30

7/10. The horror creativity of the Peng brothers is the first in the visual and auditory scenes. When Wenwen and the ghost of the old man ride the elevator together, they use the shooting angles of the top shot and the top shot alternately to make a close-up of Wenwen's eyes and the elevator rises from a subjective perspective. The number of layers and the positional relationship of the old man behind him are cross-edited to prolong the tension of the audience, while the long, narrow and deep corridors groan and echo from far and near. The voice intensified, constantly feeling Wen Wen's fear of not opening his eyes to see a ghost. Full of allegorical expressions of the trust crisis of modern people, a chaotic image of death appeared in Wen Wen Fuming's blurred vision. The children who jumped off the building without a report card, the Thai girls who donated their corneas and made predictions about disaster are all in a position not trusted by their parents, and the people in the world who do not trust them will also suffer misfortune. It's a pity that the Peng brothers have never made such meticulous supernatural films again. Most of them have chaotic logic and lack of innovation, which may be related to their transition to crime action films.