Kevin Lenoir

Kevin Lenoir

  • Born: 1989-2-4
  • Height:
  • Extended Reading
    • Junius 2022-03-12 08:01:02

      A puppet show suitable for "interpretation carnival"

      You can feel Calax's ambition and desire for expression from the big battle at the beginning. Generally speaking, in the form of a musical, it continues to extend the film itself, media, viewing behavior, art in "Sacred Car Dealer" Reflexive thinking about the relationship with business,...

    • Santino 2022-04-22 07:01:54

      may we start

      The director was the first to go abroad, swearing absolute sovereignty over his films as a music producer, lost in fame, praise, capital, interests, inferiority, lost love, eternal curse, in music, I feel that the soundtrack and lyrics can be done a little more, really not The film language and...

    • Cameron 2022-03-17 09:01:10

      4.5, Karax's film is as always full of baroque colors, just like his "Sacred Car Dealer" ten years ago, the opening voice-over and microphone sound as a metaphor of the film itself = hypnosis, just juxtaposed on Amazon's logo - theater . In the film, a melodramatic narrative becomes spooky in musical arias and Lynch-like soft overlays. "Ann" is the opposite of Chazelle's retro-style singing and dancing, and to a certain extent, brings modernity back to the poetics of ancient Greece. Annette is a humanoid that can cause the Uncanny Valley effect, a by-product of the failed marriage of Henry (destroy, Dionysian) and Ann (construction, the sublime of the sun), her alias is Capital, and the film is a black " Pinocchio." As seen in horror films, the ghost occupies an irreducible remnant outside of 'Ann', and the intensity that radiates in silence leads to a baroque global narrative/division/exploitation trinity , as in Sloterdijk's reconstruction of the process of globalization through sphere theory.

    • Delmer 2022-03-19 09:01:10

      The driver's acting was okay, and the singing really tortured my ears. It is quite difficult for me to connect with Karax. This peculiar style, a white male director from a wealthy area of ​​Paris who likes to ride a motorcycle to pierce the quiet suburbs of Paris in his youth, feels that he will love to talk about a superior literature and art all his life. The white man's narcissistic and kitschy life. When I was young, I was in love, and when I was old, I started to talk about my daughter, but I was still myself after tossing and turning. Even her daughter is not a daughter, but a puppet, very creepy. It's quite outdated and boring, but I never hate Karax, it's really cool, but if you let me drink with such a stubborn old man who refuses to grow old and listen to him, I probably won't either.

    Annette quotes

    • Annette in Prison: Now you have nothing to love.

      Henry McHenry: Why can't I love you? Can't I love you?

      Annette in Prison: Now you have nothing to love.

      Henry McHenry: Can't I love you, Annette?

      Annette in Prison: No, not really, Daddy. It's sad but it's true. Now you have nothing to love.

    • [repeated line]

      Henry McHenry: There's so little I can do. There's so little I can do.