Kerry McGann

Jerod 2022-01-25 08:04:46

1 is not surprising. Limited by the age of the three protagonists who are over 200 years old together, they did not make a big deal on the action scenes and conflict points. It can even be seen that the three protagonists are weak in some scenes, but the three old actors are bones. Still dedicated...

Rosemary 2022-04-22 07:01:04

Frank's life can be simply divided into three stages: himself; knowing Russell; knowing Jimmy.

As a World War II veteran, Frank has long realized that a normal life will never lead to the life he wants. Then start stealing pork. Is the quality of people's trust that he can win innate? From...

Roscoe 2021-10-20 19:01:33

More than three hours is like re-experiencing "Poor Streets", "Taxi Driver", "Godfather" and "Once Upon a Time in America", the opening of the patrolman's mirror dreams back to "good guy" + the roundabout promenade cruise at the end, in the folded time folds, " Time gives me youth and death", we and them walk towards a common great belonging on and off the screen-death. Sokolov said: "Elegy is a good memory, nostalgia for the past." It would be more appropriate to call this gangster elegy, a movie that has been sharpened for many years. It is also Scorsese's quiet gaze looking back at life; passionate blood. No more screaming, the past is frozen in the old yellow photos, when friends and enemies are all annihilated, all the secret dust will cover all the living and dead of the Irish.

Michelle 2022-03-20 09:01:19

Disappearing from the domineering arrogance of "The Good Guy", "The Irishman" is relatively steady and slow. The protagonist is still the middleman, and his existence defines a certain ethical and moral boundary. For three and a half hours, I watched an old man talk about a history about the struggle for power. "The Irishman" has a bleak background. No matter how magnificent the past is, it is lonely and hard to find a place to return. At this time, natural death is more unfortunate than being assassinated. There is no too much blood and rain, and an important person's exit can be without waves. Scorsese no longer uses anthropological methods to make movies, and the parental shortness has become simple, and the complex supporting roles have no sense of existence. The challenge for the old opera bones this time is to use their 80-year-old bodies to perform their 50-year-old momentum. The wrinkled face with special effects will still be a little weird. After all, we have witnessed how De Niro and Joe Pesci get old through Scorsese's movies, and the technology can only rejuvenate their faces, but the sense of age. It's not just determined by appearance. And I don’t know if old Martin wants to return to his prime, but the years are not forgiving, and people have to convince the old.