Kenjirô Ishiyama

Kenjirô Ishiyama

  • Born: 1903-10-10
  • Birthplace: Hiroshima City
  • Height:
  • Profession: actor
  • Nationality: Japan
  • Representative Works: Shinsho shinobi no mono, "The White Rose of Hong Kong", etc.
  • Kenjiro Ishiyama (1903.10.10-1976.05.10), Japanese actor, representative works include " Shinsho shinobi no mono ", "Hong Kong's White Rose" and so on.
    Extended Reading
    • Genoveva 2022-03-21 09:02:38

      Akira Kurosawa's best film set in today's society

      Some of Kurosawa's more famous films are costume films, such as Rashomon, Seven Samurai, Spider Sparrow City, but his non-costume films are rarely seen. Heaven and Hell is one of the classics. It tells the story of the kidnapping of the son of a rich businessman's driver, but the rich businessman...

    • Cassandre 2022-03-21 09:02:38

      So Kurosawa is a humanitarian

      The theme of the first paragraph of the film is the choice of the three ships, and the theme of the second paragraph is the detective solving the case. The thematic difference between the two paragraphs is particularly large. Such a two-stage structure, the first is "Desire to Live", and the other...

    • Antonia 2022-03-26 09:01:09

      [Great] The indoor scene of the first hour fully proved Kurosawa Akira's scheduling level (calling him the "God of Scheduling" is not an exaggeration). From the first shot, the protagonist Quan Teng was in a state of being "enclosed" all the time. Whether it was the coercion of the previous shareholders or the moral torture encountered later, they all used other characters in space. Shown by the encirclement. Using the position, composition, depth of field and camera displacement to emphasize the characters' predicament, enhance the drama through the characters' sight lines, contradictions and the size of the space they occupy, and visualize the emotional conflict in the picture. And the criminal investigation in the second half is simply enjoyable, and the magic of genre films lies in this. What really distinguishes "heaven and hell" is not the gap between rich and poor and class, but one of Kurosawa's best elements, "heat". The heat had nowhere to hide, but they were as cold as corpses. This double contrast between internal and external levels is the film's most eloquent interpretation of class antagonism, which shows the depth of Kurosawa's skills and the vastness of his realm.

    • Ludie 2022-03-15 09:01:05

      A good movie is not afraid to watch it late. It’s really enjoyable that it goes from a one-hour indoor scene with a full of tension and eye-catching composition to a united and coordinated transaction detection and solving the case in one go. Mifune Toshiro and Nakadai Tatsuya Kazuhiro (the hesitation of the temperamental person), Yiyin (fishing law enforcement increases punishment), and the super young and promising Yamazaki Nuo. The pain of rapid economic development, wealth from heaven to fall to the hell of bankruptcy, but being praised by public opinion as a hero, from the poor and persecuted, wandering in the hell of drug addicts, to the beautiful landscape of Atami, which resembles heaven, but my sun is ringing. Arrest, use the looking up mansion to intersect in the cross transition of the smelly water ditch and the meeting between crossing the street and borrowing the fire and the last visit to the prison. The heaven and hell, which are connected by the only colored smoke, seem to be very close and so far away. Go there to face the people who are not afraid of death. The archive is restored in 4K.

    High and Low quotes

    • Kawanishi - Gondo's Secretary: I know how much this money means to you, but a human life means more.

    • Kingo Gondo: That's enough! You're not paid to think!