Ken'ichi Matsuyama

Sammy 2022-04-19 09:02:47

Just because I like Tadanobu Asano, I came to see his works. He played a bearded uncle in "The Smell of Tea," recounting the dangling childhood experiences of a ghost with tattoos and bloodstains watching him all the time. The backflip he managed to get rid of the ghost made the little niece do the...

Vivianne 2022-01-22 08:03:12

The Taste of Tea is one of those films that audiences need to wait until the last minute to be able to obtain the message from the director. In other words, Katsuhito Ishill used a plot to arrange what was going to happen and what the connections were between the characters when setting an....

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Cayla 2022-04-20 09:02:25

It's a very strange movie, although I like it very much, but it's still a little uncomfortable to have nightmares because of it.

Celia 2022-04-22 07:01:49

Spring gift. Two and a half hours passed by as easily as a dandelion. It is the best representative of the kind in the Palace of Shadows of the Sun: it obviously absorbs some foreign aesthetics, but is completely outside the tradition of these aesthetics, so it is free from the context and index of semiotics and methodologies, There is no precedent and no successor in all of them. What do those shots of woods and mountains mean? They are not dissolving power, let alone contemplation, but "presence", and nature gazes at us interactively, thus acquiescing, witnessing, and becoming a part of us. These silent gazes become a suggestion to a movie: K. Ishii Man is not creating anything, even on the contrary, his main job is to take away the artistic tricks that hinder "being a man." That's why those eccentric behaviors, perverted spectacles and hallucinatory encounters so beautifully set us free, no one knows what they mean, but it shows us how man and nature are cruising between each other half-open and closed. How can the same sun bring the same satisfaction to different lives.