Kayoko Kishimoto

Shyanne 2022-03-23 09:02:52

The storyline is simple and the relationship between the characters is not complicated. But it is a simple and wonderful film. Just like the title of the film, it is called Fireworks. The director is really a person who has an aesthetic attitude towards violence. Although it is a bit heavy, it adds...

Trever 2022-04-20 09:02:12

The picture of the movie is not more than one frame. Being able to tell the story with very few lines is enough to show the director's skill. The script, editing, supervisor and producer are all taken over by Takeshi Kitano, and even the protagonist is Takeshi Kitano - the middle-aged man who...

Rubie 2021-12-30 17:17:15

"The first masterpiece with a strong Kitano style" is a false statement. But when his various elements, violence, silence, contempt of lines, picture narration, and music, all tags must be prefixed with "Kitano Takeshi", his personal style is indeed so clear that it is extremely difficult to describe it outside the picture. I don’t know if his film style can maintain such intensity without Hisaishi’s soundtrack, but here, he uses it very well.

Orland 2022-03-22 09:02:31

8/10. The flower of freedom and the fire of death interpenetrate each other. The mechanic looks down on the lorry driver who succumbed to violence and the female worker in white who is lazy on the bench, but admires Xijia who does everything to realize himself, and gives the robber taxi and police lights with a smile; Various animal heads have sunflowers, the word "self-determination on the snow country" and other painting images interspersed and correspond to Horibe and Nishijia's life. The fate of the girl's kite being destroyed, and the music melody falling into the dead silence of gunfire all imply the joy of life's liberation.