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Eusebio 2022-03-25 09:01:23
a movie i don't like
Three and a half.
She had hugged her happier. An interesting tribute to the acceleration of silent films. Three previous memories. Story completion is what I think is the key to a drama. Some horrific fertility scenes. To be honest, uncomfortable bath scene. If that's the style of this drama, I'd...
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Eusebio 2022-04-21 09:03:46
"Tin Drum" is the most independent sobriety in the chaos
"The Tin Drum" is a 1979 adaptation of Günterglass's novel of the same name directed by Volker Schlondoff, which tells a dark history in a surreal form of magic. It mainly tells the story of the World War II period at that time, and invites future generations to reflect.
The whole story is told from...
Katharina Thalbach
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Letha 2022-03-28 09:01:13
Very depressing no-nonsense film. Almost all the elements of a horror movie: expressionless children with more whites than eyeballs, dwarfs, clowns, screams, inexplicable deaths
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Rosalee 2022-03-17 09:01:10
Realistic themes, constructed with surreal techniques, open up a naive and pure childhood perspective. The recent "Jojo Rabbit" is similar to this one. From an aesthetic point of view, this year's Oscar-nominated new film always makes people doubt the sincerity of its creation. The thickness of "The Tin Drum" comes from the description of the absurd, cruel, and distorted world. Children's perspective and tone provide many conveniences for the narrative. It is sad but not sad, sympathetic but not compassionate, with criticism and survival belief. The drum beat of the tin drum resonates with the times, trying to make a strong sound from the individual cry. Stopping growth is not self-dwarfing, but confrontation and division. The crisp drum beats and the amazing roar are exactly the clamor and confrontation against the Nazis who have been rampant for many years, unwilling to accept the reality, can only fold, cruelly cut off from the external environment, and refuse to grow. This is a high-level perspective and thinking, and it is also a metaphor. The simple emotions are wrapped in reflections and accusations of the nation. The fate of the nation and the living conditions of the individual are integrated into the absurd image, and the growth itself is also a kind of suffering, with scars and pains.
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Bebra: You must join us, you must!
Oskar Matzerath: You know, Mr. Bebra... to tell the truth, I prefer to be a member of the audience, and let my little art flower in secret.
Bebra: My dear Oskar, trust an experienced colleague. Our kind must never sit in the audience. Our kind must perform and run the show, or the others will run *us*. The others are coming. They will occupy the fairgrounds, they will stage torchlight parades, build rostrums, fill the rostrums, and from those rostrums preach our destruction.
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Oskar Matzerath: There once was a drummer. His name was Oskar. He lost his poor mama, who had eat to much fish. There was once a credulous people... who believed in Santa Claus. But Santa Claus was really... the gas man! There was once a toy merchant. His name was Sigismund Markus... and he sold tin drums lacquered red and white. There was once a drummer. His name was Oskar. There was once a toy merchant... whose name was Markus... and he took all the toys in the world away with him.
