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Lela 2022-02-02 08:16:20
"The Beacon and Red Flames of Love" - An American Communist Party in the Soviet Union
This biographical film, which has won nine Oscar nominations and three awards, has almost exhausted its scheming in front of the old school: adaptation of real experiences, the Russian revolution as the background, love gives way to greatness, and the actors join in; If you want to have a...
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August 2022-02-02 08:16:20
real history jack reed
John Reed Biography A. Williams (1967) The first American city where workers refused to ship arms to Kolchak's army was Portland on the Pacific coast. On October 22, 1887, John Reed was born in this city. Reed's father, as Jack London described in one of his novels about the American West, was a...
John Herman Shaner
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Branson 2022-02-02 08:16:20
I don't like reading biographies very much, and I also don't like watching this movie very much. There should be a heavy historical texture, but the focus is on the love of two idealists. Fortunately, this love is not too cliché, the drama is full of tension, and the scenes of several historical events are full of historical sense, but the film itself only stops At the level of curiosity, the essence of history is not deeply explored; however, a few paragraphs of narrative are ingenious and skeptical; of course, the important point is that Nicholson is the most handsome.
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Haven 2022-03-23 09:03:29
Storaro par Storaro : une leçon de cinéma +Apocalypse Now 70mm
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John Reed: Zinoviev, you don't think a man can be an individual and be true to the collective, or speak for his own country and speak for the International at the same time, or love his wife and still be faithful to the revolution. You don't have a "self" to give.
Grigory Zinoviev: Would you be willing to give yourself to this revolution?
John Reed: You separate a man from what he loves most, what you do is purge what's unique in him. And when you purge what's unique in him, you purge dissent. And when you purge dissent, you kill the revolution! Dissent IS revolution!
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Louise Bryant: [to Eugene O'Neill] Are you nervous, or is that a tremor?
