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Rozella 2022-04-11 08:01:01
Excellent work
If it is just a biography, it is obviously not worthwhile, because throughout Kafka's life, his external life does not have a dramatic plot, but Soderbergh chose a scene that may be taken from a nightmare, and it is immediately different. The black and white color shows that this can indeed be...
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Gregory 2022-04-11 08:01:01
Synopsis
Kafka was a clerk at an insurance company who, despite his critical acclaim for the publication of "Metamorphosis," was still withdrawn from his colleagues. One day, the only colleague who had close contact with him died unexpectedly. His fiancée couldn't accept the police's statement that it was...
Joel Grey
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Tressie 2022-04-19 09:03:17
70/100, the chasing action in the city streets is so charming, it has the charm of a classical type movie, and the panic under the projection almost creates a best situation. But after entering the castle, everything is clumsy and contrived.
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Ericka 2022-04-20 09:02:56
7.0 The fourth Soderbergh. A biography that takes a different approach, but it's a political thriller. The finished film has the texture of the films of the 1950s and 1960s, and the processing of some shots has the style of film noir. The plot after entering the "Castle" is a little shocking. The director uses black and white and color to distinguish, psychological horror penetrates layer by layer, but good drama is behind. The first two-thirds of the rhythm is more confusing, and it is also the most unfortunate part of this movie.
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Youthful Anarchist: [discussing Kafka] How much have you told him?
Gabriela: He's a clerk; he knows nothing.
Mustachioed Anarchist: Eduard said he's a writer.
Youthful Anarchist: That could be useful.
Female Anarchist: That could be dangerous.
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Gabriela: And you believe everything the authorities tell you?
Franz Kafka: Well, I have no reason to doubt.
Gabriela: They're authorities! That's reason enough.
