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Lysanne 2022-01-13 08:02:16
I love the floral-scented rear window path
Here, you can see the homes of the British upper class in the early 20th century. You will like the luxurious mansions in the city (the second picture), the paintings on the walls of the stairs and corridors, and the rows of books in the collection, but you still I feel that the upper class family...
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Curtis 2022-03-21 09:02:49
The Manor and the Industrial Revolution, and Some Literary Discussions on Class
The British stage play style of the film is very strong, and some of the words are full of literature and art, but they are purely the narration of scenes like I used to read translated versions of foreign novels. understand. Back to the story itself. Margaret met the wife of Howard Manor by...

Jo Kendall
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Devonte 2022-03-17 09:01:06
Many dialogue scenes interrupt the rhythm by fading in and out, making the story more subtle, as if there are more in suspenseful police and criminals. There is no romance. Feelings and etiquette are interrupted with class and selfish humanity. The ending is caused by Charles' missed murder. It seems that there is no reason for it, and it can be completely avoided. But it gave the story a sense of status, these things were originally crooked.
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Whitney 2022-03-16 09:01:06
Ivory's career peak work, the third adaptation of Foster's novel, won the Cannes 45th Anniversary Award, Emma Thompson was crowned Oscar queen. 1. Emma really has drama around the corners of her eyes and eyebrows, and she feels a bit of her true colors. The Margaret she played has always been the moral core of the film, creating a nearly perfect image of a female, kind, tolerant, wise, and gentle. Pragmatic and tolerant, she has also become an intermediary communicator between the upper and lower classes. 2. The romantic and persistent Helen is a bit inherited from the German romanticism. The picture of Buster walking among the blue flowers at night to see the dawn is also a typical romantic scene. The family surname Schlegel also laid the foundation for the romantic theory. People are the same. 3. Margaret seems to be destined to get Howard Manor, just like all kinds of remote sensing and coincidences, the old housekeeper who always recognizes her as the hostess, and the old chestnut tree with pig teeth embedded on the trunk. 4. Wilby's Charles always gritted his teeth, ruthless and arrogant, very different from [Morris], and not without a sense of joy. Simon Carlo collaborated with Ivory for the third time, playing a soy sauce musician. 5. Fallen bookshelf. (8.5/10)
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[last lines]
Margaret Schlegel: What did Dolly mean about Howards End?
Henry Wilcox: Mmmm? My poor Ruth, during her last days, scribbled your name on a piece of paper. Knowing her not to be herself, I set it aside. Didn't do wrong, did I?
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Ruth Wilcox: My idea has always been that if we could bring the mothers of the various nations together, then there would be no more war.