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Terrill 2022-03-21 09:02:39
the mountain moved
The 1970s was the trough of Akira Kurosawa, and he stopped cooperating with Toshiro Mifune, and was rejected by "Tiger! Tiger! Tiger! "The crew was fired (the scene where Yamamoto took over at the beginning of the film was written by Akira Kurosawa). The film that went to the Soviet Union was...
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Kaylie 2022-01-09 08:01:49
Immovable
Immovable as a mountain
Kurosawa Akira's "Shadow Warrior" is the most beautiful movie I have seen in the first half of this year, leaving me with four words: Immovable as a mountain.
Surge like the wind, Xu Rulin, aggression like fire, immobile like a mountain. This is Takeda Shingen's military...

Jinpachi Nezu
Performing Experience
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Brett 2022-04-24 07:01:17
Simple and desolate, majestic, thick and gorgeous. It is second only to the Seven Samurai in the Kurosawa Akira movies I have seen so far. The disadvantage is that the story is slightly weaker and the plot is slightly simpler. In addition, unlike most people's opinions, I feel that the final battle has lowered the quality of the whole film, and no matter how well it is shot in form, it is impossible to ignore the forced reduction of intelligence + mindless delivery in the plot. Kind of a shame because it could have ended better.
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Desiree 2022-03-25 09:01:14
I have seen this big film since I was a child. Every time I watch it, my impression is different, but every time I watch it, I also gain a lot. Compared with "Shadow Warrior", "Ran" has been greatly upgraded in the grand scenes and cruel atmosphere of war, but "Shadow Warrior" also has amazing visual effects and detailed settings. Akira Kurosawa's love for Van Gogh has a straightforward, even naked expression in "Dream". And Van Gogh also absorbed wildly from Japanese prints and incorporated what he learned into his own work. In this way, it is quite interesting to look at the visual effects of "Shadow Warrior". You can see both the influence of Impression and the shadow of Japanese prints (such as composition and color). Especially in the battle of Gao Tenjin, Katsuse paced anxiously in front of a nearly flat red-purple field used to represent the burning Gaoten God City. The color field was accompanied by smoke and flashes, and the atmosphere created was really wonderful.
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Nobukado Takeda: I know it is difficult. I was for a long time the lord's double. It was torture. It is not easy to suppress yourself to become another. Often I wanted to be myself and free. But now I think this was selfish of me. The shadow of a man can never desert that man. I was my brother's shadow. Now that I have lost him, it is as though I am nothing.
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[the double's aides are worried that others will find out he is an impostor]
Masakage Yamagata: Little Takemaru was a problem, but the horse is worse. It can tell. Only the late lord could ride it.
Nobufusa Baba: If the double falls off, everyone will suspect.
Nobukado Takeda: Lord Shingen has been ill. He must refrain from riding.
Masakage Yamagata: Good idea.
Masatane Hara: There are many other problems. We must be careful to keep the late lord's intentions.
Katsusuke Atobe: Tonight he will have to meet the late lord's mistresses. How will he be with them?
Masakage Yamagata: Our master has been ill. He must refrain from riding.