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Daphnee 2022-01-18 08:01:28
[Last Film I Watched] Weekend (1967) 7.7/10
Two-timing with each other, a bourgeois French couple, Corinne (Darc) and Roland (Yanne), embarks on a road trip to visit Corinne's dying father in the countryside, licking their lips for the share of inheritance and is not above of resorting to murder to get minted. This is the callous premise of...
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Max 2022-01-18 08:01:28
"Week-end" slow movie watching notes
"Tell me your name, Madame."
"Me? I'm Corinne Durand."
"Durand's your husband's name. What's yours?"
"My maiden name? Corinne Dupont."
"Dupont is your father's name. What's yours?"
" You see, you don't even know who you are."
35'06-36'11
this section of the road hurriedly , the final split-screen...

Jean Yanne
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Coralie 2022-04-20 09:02:19
Interpretation of the meaning of "subversion"
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Roselyn 2022-04-19 09:02:43
An extremely disturbing, uncomfortable, and highly aggressive deconstructionist fragmented counter-narrative. Using the metaphor of the "car" as a private item of Bourgeois, the long shot of the traffic jam symbolizes the contradiction and alienation of the individual and the external society and industrial products, and the mutual hatred and binary opposition of elitism (culture) and populism (culture). Godard's specious social ideology. The final point of view is the violent trial of the three by anarchists
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Roland: We're married. We screw legally.
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Joseph Balsamo: Tell me your name, Madame.
Corinne: Me? I'm Corinne Durand.
Joseph Balsamo: Durand's your husband's name. What is yours?
Corinne: My maiden name? Corinne Dupont.
Joseph Balsamo: Dupont is your father's name. What's yours?
Corinne: I don't know.
Joseph Balsamo: You see, you don't even know who you are.