Jean Négroni

Ruthe 2022-11-02 05:33:16

The length of this film is like a knife. One inch long and one inch strong, and one inch short is dangerous. If you want to stab Guan Yunchang to death with a dagger, even if you cheat, you must have some ingenuity in it. This is sometimes more brain-intensive than making a long story. "Dike" is...

Deontae 2022-10-31 13:50:52

Chris Mark is also a unique member of the "left bank". What is a "left bank"? (The New Wave is usually divided into two factions: "Cinebooks" and "Left Banks") My personal understanding is that those who seem to be more literate are "Left Banks", such as Chris Marker who publishes articles on the...

Robin 2022-06-12 21:23:02

He mentioned the museum three times. The voice-over refers to the memory of the protagonist as a museum; the palais de chaillot, the experimental site of time travel in the film, was once used as a space for a film archive; the place where the protagonist meets the mysterious woman in his memory is a natural museum. Human memory, film image data, and dead specimens of the natural world, in the "museum", become embalmed existences and the products of artificial consciousness at the same time. When encountering the human past in a museum, how much I wish that the things in my memory would also be immortalized in the medicine of formalin. It suffers from limitations while being incomparably romantic. If, if you can die in the memory of the past, where is the need to "escape the future of catastrophe"?

Ismael 2022-06-12 12:59:33

Unlike "Wild Strawberry" who dreamed of his own death, this time he saw himself die. The slideshow transitions, frame by frame of static images, have a wonderful feeling of "the picture is not moving, the consciousness is moving", the addition of the love element is a bit embarrassing, and because of this, the director gave the woman a continuous action, Let's take a look at the gif. In fact, black and white static pictures, if used properly, have a subtle beauty that is hesitant to say anything.