Jason Seitz

Berenice 2022-11-19 13:51:10

Long takes: In this film, Gus Van Sant uses a lot of follow-through long takes. This kind of footage seems to let us also walk into the American campus, followed by the characters in each story, to look at the day of the shooting from a different angle. One of my favorites is that after the hero...

Christine 2022-11-18 06:31:00

The picture really likes the color of the sky. I don’t understand the metaphor of the elephant very well. After all, it is a Western proverb. The use of Alice made me even more obsessed with the music and lyricism of the violent scenes. The woman in red finally died because I couldn’t stand it. The...

Willow 2022-04-23 07:02:46

9.5, while maintaining the real time as much as possible, the use of multi-line interspersed provides dimensional possibilities for time, which greatly increases the visibility. Impressive camera movement and scheduling for the longest shot, plus bonuses for the promenade

Bernard 2022-04-23 07:02:46

In 4.5, Gus Van Sant explained the appearance of the characters in a form similar to a silent film. The background blur and follow-up shots create POV-like simple but extremely disturbing violent impulses without using POV shots. And it forces the audience to pay attention to the narrative subject subjectively and to reduce the "vision" to the greatest extent and resort to "feeling" to perceive movement and surrounding existence, so that the narrative subject can "freely" replace and return.