Jason Lee

Marc 2022-03-21 09:02:13

A good story explores the possibility of life and the possibility of conflict resolution. One of the main conflicts that eva resolves is that between self and others.

The 20th-century Swiss psychologist Jung proposed "Shadow Theory," which he explained as: "The nasty sub-part within," or "an alter...

Jayme 2022-04-19 09:02:15

When I saw the first episode, I knew, I could choose to give it five stars now, or five stars after watching it?

He's not a science fiction movie?‍?! ! ! ! His sci-fi setting is so specific and huge, it is actually used as a symbol... From my personal prejudice, I think it is a bit overkill to use...

Cristina 2022-04-24 07:01:14

EVA = Golem in Jewish mythology. The creation of Golem is always closely related to the mystical experience of the individual. When the creator merges with this giant made of sand, this experience will reach its peak. Likewise, Golem is dangerous. Therefore, in "Evangelion", The runaway of the EVA body, the loss of control and the enchantment of the psychological space are no longer puzzling. So, is EVA in the second? The grand narrative about the "near future" is closely related to the personal growth experience, the former will be seen as a metaphor for self-knowledge, and after about 13 episodes of boring fights and suggestive welfare, at this obvious node, it begins to turn inward , there is no better Meditation Room than a cramped dark cab. Like Gaspar Noh's post-body concept, Shinji, who lost his body, began to restructure himself. No....not Gaspar No, but Bergman's "Shame", about the breaking of Consistency, but the former is about the incomprehension between two individuals, the latter is a person, and his Mirror.

Blaze 2022-03-27 09:01:10

Read it in 7 days. It is true that about 15 episodes ago, it was an ordinary aircraft combat animation routine, but it still made a lot of preparations for various details and settings, and completed the preliminary construction of the world view. The characters are extremely three-dimensional and characteristic. From the 16th episode, Anno Hideaki's ambitions began to appear initially, one is the philosophical and psychological analysis of the individual, and the other is the theological and religious elements of the entire setting, all to the point of being staggering. In the later period, many extreme measures were taken because of funding problems, but a unique animation aesthetic was born, which was even more crazy under the background of Ode to Joy. The same is true of the world, beautiful coincidences are always greater than deliberate designs.