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Trystan 2022-03-21 09:02:57
the passing of childhood
"Claude Garcia, 16 years old. My mother ran away when I was 9 years old, and my father was half paralyzed. I have always wondered what an ordinary family is like." , I attribute all the reasons to Claude's unfortunate childhood, just like Shuya Watanabe, the "juvenile A" in "Confession",...
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Tatyana 2022-03-23 09:03:00
The expressive power of art must have the collision of real life
I have been thinking about the title for a long time, and if I have to summarize the film in one sentence, I think this sentence is enough.
What interests me is not the plot of the film itself, but the use of literary techniques.
Teachers teach students to constantly create conflicts to increase...

Jana Bittnerová
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Jannie 2022-03-29 09:01:07
A good script meets a good director. I really like this narrative structure. The director has a lot to discuss, and they all give the most accurate presentation. It would be perfect if the image could be more stylized.
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Shirley 2022-03-29 09:01:07
French literary atmosphere, peeping novel-like charming brushstrokes. From fiction to reality / from outside to inside / from last row to first row, and the inner reaction. Teachers' behavior is also "into the classroom" in audio-visual language. The seamless connection between different perspectives, everyone sees and is seen, and the characters are hidden in the background. Youth, comradeship, incest, rising China, another kind of rear window.
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[repeated line]
Claude Garcia: Continues.
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Claude Garcia: But I love you.
Esther Artole: No. It's not me you love. It's an image. An image in your head.