Jan D'Arcy

Lottie 2021-12-09 08:01:25

In this movie, David Lynch bluntly blended the irrational language that can only survive in dreams directly into the movie's somewhat unbearable long shots. At the beginning, before the two detectives went to Shuangfeng Town to investigate the cause of Taresa's death, the inconsistent dialogue...

Haylie 2021-12-09 08:01:25

As we all know, the TV drama version (Linqi did not serve as the director of the TV drama version for some reason, but as the producer) "Shuangfeng" was a sensation in the 89s, breaking the boring soap opera model of fixed mode. For the first time, let the public experience the dark surreal style...

Dean 2022-04-24 07:01:07

Lynch uses red to the extreme. The fear of the tarsus and even red in Lynch's films represent the evil of the subconscious and the unknowability of the unknown world. This is probably the fastest-paced one of all Lynch's movies + dramas. Every frame is full of information, which denies many of the intentions and unknowns of the tp drama. The dwarf and the red room are more similar, and there are images such as rings, monkeys, masks, etc.

Bernhard 2022-04-24 07:01:07

Well, if this production is more refined to achieve the stunning effect of "Invasion of Brain Cells", it will definitely be better than it, but it's a pity that Lynch seems to be obsessed with the effect of such a small production. Weirdness, panic, mystery and unpredictability fill the whole book, suspense plus various obscure meanings and ghosts and so on are indeed inexplicable in many places, but they also make Lynch's surreal approach. However, the film alone is not very watchable. We haven't watched the TV series.