Hugh Sanders

Alexzander 2022-03-15 08:01:01

Wild one.

Narration by narration, this kind of rebellious road film involving inner drama, plus narration is acceptable.

The era when the motorcycle party was raging, a product of the times. Thinking of the past in the countryside, when motorcycles were popular, there were also a group of teenagers...

Athena 2022-03-15 08:01:01

Text/Ghost Feet Seven



        In 1951, Marlon Brando starred in the classic "A Streetcar Named Desire". Although he didn't get the best actor in the end, it was still enough to make him a Hollywood superstar. Two years later, Brando received another Oscar nomination for Mankiewicz's "Caesar," and...

Gust 2022-04-21 09:03:45

- we don't know what they want, and they don't know it

Celia 2022-03-24 09:03:47

It's very good. I found that the emotions of the old movies are very objectively controlled, and the contradictions between the characters often can't find the starting point. It's very realistic, and I like it very much. I especially like the short paragraph where Brando looks like he was beaten and cried. The old movies all have one thing in common is that they like to abuse symphony, so that the ubiquitous emotional high point usually brings a sense of tired nihilism, coupled with such anti-social groups, highway themes, even more pale and nihilistic Yes, I love this tone. In addition, Brando's shape is too cool, and the so-called "screen classic" is no more than that. It reminds me that the second-in-command gangster in "Battle of No Benevolence" and Dillon in "Thirteen Taibao on Shanghai Beach" should all be imitators. This style is too classic. Not to mention BRMC, the overly handsome band of the same name, the Black Rebel Moto Club, is of course named after the movie. Anyway, pretty cool!