Hilde Van Mieghem

Isai 2022-04-11 09:01:07

It's not a complete biopic, but it does a good job of Kafka. The film begins with the disappearance of one of his few friends. The director takes us step by step to gradually understand Kafka. As Kafka has called off his engagement three times in this film, he also insinuates Kafka many times. His...

Constance 2022-04-11 08:01:01

——...Your son. Your loving son. Your occasionally loving son. Your incapable-of-loving son. Your absolutely-bored-to-death-with-any-sort-of-family-life son.

——What will you say when the great faceless mass comes calling on its own initiative? What will you say to them?
——A crowd is easy to control...

Dariana 2022-04-11 09:01:07

To directly and rudely interpret the castle as a totalitarian bureaucratic machine, and even let the protagonist enter the castle directly in the third act, which is equivalent to directly blocking the ambiguity of the concept of the castle - you must know that Kafka does not even have a castle. Clearly, what about being visible or even accessible? Moreover, the absurdity of "Castle" exists not only in the castle, but also in K; directly replacing the protagonist with Kafka and self-righteously applying the crude logic system that is almost binary opposition is simply a blasphemy to Kafka. . If it doesn't hang a Kafka's name, maybe the score can be higher; since it hangs, there is only one X.

Athena 2022-04-12 09:01:11

A thriller and suspense film with a weird atmosphere. It looks like a film noir on the surface, but Cronenberg is very Cronenberg in the bones. In fact, I always feel that Soderbergh made this film to pay tribute to Cronenberg's "Nude Lunch".