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Federico 2022-01-18 08:02:37
Watch out for the police
The fascinating work of Kitano Takeshi is that, in my opinion, there is a very strong sense of gap between the senses, the gap between good and evil, the gap between beauty and ugliness, the gap between brutality and tenderness, and the gap between coldness and humor. If you rely on the character...
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Eli 2022-01-18 08:02:37
The directorial debut of Takeshi Kitano
Kitano Takeshi's self-directed and self-acting thriller action crime film tells the story of the maverick criminal policeman, my wife Ryosuke, who was regarded as heresy in the police station due to his rude work style. This film is the directorial debut of Japanese comedy star Takeshi Kitano. The...

Hakuryû
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Anita 2022-03-15 09:01:07
#北野武影展2019# Please don't tell me this is Kitano Takeshi's debut work, because it is not like the work of a fledgling person at all, regardless of the performance or narrative rhythm editing and soundtrack are all online or even unconventional. If it is the first time to direct, then he must be a movie wizard! Cruel enough and tragic enough, many passages are simply unexpected, and they also laid the way for Kitano Takeshi’s "violent aesthetics". It is illogical but reasonable, because it only conforms to Kitano Takeshi’s perverse and rebellious personality and behavioral logic, such as "the original policeman". Behind the scenes, the big boss played a trick, and finally walked over to the cruel opponent like a zombie. Two people shot each other, and he even shot his stupid sister to death! Just like the line at the end of the film, "This world is crazy!" ps It can be seen from the film that Kitano was influenced by Hong Kong gangster movies in the 1980s. It is not difficult to recall Wu Yusen's "The True Colors of a Hero" in some places.
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Weston 2022-01-18 08:02:37
Kitano is always walking around...but I still have a hard time understanding what he is thinking. . . The soundtrack has extra points until the final death has a dramatic sense of stage. The sudden turn of the ending once again tells us the truth that people cannot be seen as they are. . .
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Nito: I'm Nito. Won't you come in?
Azuma: Come in? A restaurant with dope-pushers and killers?
Nito: Pardon?
Azuma: You know what I mean. Where's Kiyohiro?
Nito: Kiyohiro? Who's he?
Azuma: Your assassin.
Nito: Look ... if you want to question me, get a warrant first.
[Shinkai tucks a bribe into Azuma's jacket pocket]
Shinkai: Our gift.
[Nito peers closely.]
Nito: Although... I'm afraid it doesn't quite match your tie.
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Azuma: Well, you've got good taste.