Guillaume Rumiel Braun

Donato 2022-03-05 08:02:53

The original text was published in the February issue of "Watching Movies", please indicate when reprinting.

"Christ, or a devil? A saint, or a robber? He is a man. A man of one enemy, a brilliant antagonist, an absolute rebel. Despite his fame, he has always been a perpetual fringe, yes A hero...

Jacklyn 2022-03-05 08:02:53

Abel Ferrara’s long-gestated biopic of Pier Paolo Pasolini has its congenital defect, by cast Willem Dafoe (albeit his striking physical resemblance) as the maestro, hence, the prominent anglophone dialog is rightly incongruous with its milieu and becomes more problematic because the rest Italian...

Diego 2022-04-19 09:03:06

Ferrara has photographed works that are almost inherited from Straub's spirit, but are still his light images, free to reproduce texts and write unfinished chapters, Willem Dafoe, great, to Pasolini's The presentation of death is entirely religious, with a cynical but loving master as a force that unites all the wonderful people around him.

Elaina 2022-04-20 09:02:44

In addition to restoring the posthumous manuscripts as images, those naked speeches, interviews, and writings are simply a different medium for literary theory.