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Cory 2022-03-21 09:01:13
The Grand Budapest Hotel
Very good-looking, the best movie I have seen recently, the picture is so beautiful, the music is just right, the plot is ups and downs, and it goes back to history. What touches the movie is the warmth, to the lover, to the same kind. If it is a comedy, it should be regarded as a high-level...
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Angie 2022-04-23 07:01:14
To their grace long gone
If I had to describe the film in one word, it would be "stylized". Director Wes Anderson has always been known for his unique style. This film pushes personal style to the extreme. Whether it is the presentation of the picture, the use of colors, or the scheduling of shots and the movement of...
Golo Euler
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Kristina 2022-04-24 07:01:02
"His world was gone long before he entered it, but he maintained that illusion with great grace" Extreme Stylization
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Zane 2021-10-20 18:59:25
It's still Wes Anderson's iconic retro tone, sweet soundtrack, and neurotic cold humor. Unlike its predecessors, it is not so casual and loose, "The Grand Hotel" has a compact story, layered layers of cocoons, and a bit of a "heavy taste". Perhaps only Wes Anderson can make a story of mixed murder, prison escape, and weapon fighting so happy.
The Grand Budapest Hotel quotes
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M. Gustave: Why are we stopping at a Barley Field?
[Title Card: 19th October, The Closing of the Frontier]
M. Gustave: [the train comes to a stop, the Doors to the cabin room swing open, soldiers stand at the doorway]
M. Gustave: Well, Hello there, chaps.
Franz: Documents, please.
M. Gustave: With pleasure.
[Hands the officer his papers]
M. Gustave: It's not a very flattering portrait, I'm afraid, I was once considered a great beauty.
[Notices the soldier's name tag, it reads: "Cpl F. Müller."]
M. Gustave: What's the F. Stand for, Fritz? Franz?
Franz: Franz.
M. Gustave: [Cheerfully] I knew it!
[Zero hands the soldier his papers]
M. Gustave: He's making a funny face.
M. Gustave: [to the soldier] That's a Migatory Visa with stage three worker status, Franz darling, he's with me.
Franz: [Hesitates, looks at Zero] Come outside, please.
M. Gustave: Now wait a minute, sit down, Zero. His papers are in order, I crossed referenced them myself with The Bureau of Labor and Servitude. You can't arrest him simply because he's a bloody immigrant, he hasn't done anything wrong!
[a moment of disbelief, the soldier looks, then grabs Zero by the arm and rises him from his seat. A light struggle breaks out, Gustave, angered, yells at them]
M. Gustave: Stop it! Stop, damn you!
Zero: Never mind, Mousier Gustave! Let them proceed!
M. Gustave: Ow, that hurts!
[Zero and Gustave are roughly shoved against the wall]
M. Gustave: You filthy, godamn, pock-marked, fascist assholes! Take your hands off my lobby boy!
[a whistle blows, and the door to the wagon opens. Everyone stops moving. Inspector A.J. Henckels walks into the room, he stands at the doorway]
Henckels: What's the problem?
M. Gustave: This is outrageous! The young man works for me at the Grand Budapest Hotel in Nebelsbad.
Henckels: Mousier Gustave?
[pauses]
Henckels: My name is Henckels, I'm the son of Dr. and Mrs. Wolfgang Henckels Bergersdörfer. Do you remember me?
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Agatha: [about M.Gustave and Zero] Whence came these two radiant celestial brothers, united for an instant, as they crossed the upper stratosphere of our starry window, one from the east, and one from the west.
M. Gustave: VERY good.
