Gilberto Aguilera

Zackary 2022-04-22 07:01:23

Somewhat disappointed, "Roma" did not bring me more feelings and shocks, just like the line in the movie "The waves are fifteen meters high, how can there be only two meters." I was looking forward to giving me fifteen meters The stormy waves, but only two meters of waves were set off. Most of the...

Durward 2022-04-24 07:01:06

4.3 ——I don't do movie reviews, I just want to record two points 1. I went to see two movies with the same friend, one "Thief Family" and one "Roma". The very interesting thing is that we both felt completely different from watching the two films. In "The Thief's Family", I only see warmth, because...

Madisyn 2022-03-24 09:01:49

Pretending to be calm craftsmanship flourishes. Especially when I think of the pregnant maid in "Tears of the Wind" or the panning shots in "Flowers on the Sea", I feel that "Roma" is mediocre. In essence, Cuarón did not have much of a heartfelt understanding of the deep-seated impact of the overall turmoil in Mexico in that era on people's individual emotional consciousness. Whether it is the reflection of the plane printed on the floor tiles, or the street sports with blood flowing into the river, the trapeze jumping out of the gun barrel or the surging waves, all of which only play a circus effect of a live news drama. Especially because the frame was stretched to an unnecessary 2.35:1 to show several spectacles, which resulted in most of the pictures being repeatedly shaken by the camera without any fresh content, which made it extremely tiring to watch. Cuaron is still a Hollywood director in essence, and does not have the depth of rational thinking when expressing himself.

Haskell 2022-03-23 09:01:53

A movie worth watching, but not a good movie (a typical counter-example). On the surface, this is a work that adopts the technique of "neo-realism" (depicting the real life of small people, non-professional actors, natural light, ambient sound, deep focus and long shots), but each frame is due to overloaded technology and information ( Whether it’s scheduling, objects, dense sounds, or metaphors and symbols), there is a sense of separation that cannot be ignored. Control becomes the protagonist, not the emotion. We can compare "Cold War" (another sophisticated and beautiful black and white retro style, but also lacking realism and sincere emotion) and "Happy Lazzaro" (albeit mixed with neorealism and surrealism, but full of with compassion and authenticity). In short, on the one hand, the intricate and saturated details and exquisite technology make the director's claim to be an autobiographical film "Roma", and on the other hand, the deliberately created alienated perspective brings the most precious and moving essence of the film ( See Godard's "Pierro the Madman") - all emotions are killed. (7.0/10)