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Hubert 2022-04-22 07:01:50
The first half is a lame imitation; the second half is a beautiful lyric
The director is an admirer of Yasujiro Ozu, and the plot and theme of the first half of the film are almost the same as "Tokyo Story". In addition, the trip to Tokyo in the second half is the director's spying on the life, culture and spirit of the nation where the idol is located. , so it can be...
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Lina 2022-04-19 09:02:48
In December, the brain begins to dream
This is the best movie I've seen this year.
The subject matter is heavy, but lightly touched. The details are captivating.
And in places where other screenwriters may be devious, they can get through it at a glance.
Except for one Rudi's bitter cry that is a little provocative, it's perfect.
While...
Gerhard Wittmann
Extended Reading
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Karolin Angermeier: Your cue, mama.
Klaus Angermeier: Go on, mama.
Karolin Angermeier: Mama, please, 'The Mayfly'. Come one, mama. For us.
Trudi Angermeier: 'Stop! What you're doing is murder!'
Klaus Angermeier: 'Such cruelty is not a must... '
Trudi Angermeier: 'The Mayfly has but one short day... '
Karolin Angermeier: 'One single day of pain, one single day of lust... '
[chuckles]
Rudi Angermeier: 'Oh, let it hover there, until it meets it's end. It's heavens last forever. It's life one day to make amends.' Right, mama?
