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Reginald 2022-02-07 14:45:34
George Gershwin in Paris
The narration is constantly shifting, the subject is always misidentified, and everyone is connected through the narration, and the picture is a complete auxiliary. The picture becomes a dialogue between two people. The main body of the conversation is a third party. During the dialogue between the...
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Ena 2022-03-23 09:03:15
"An American in Paris": People Who Love Me and People I Love (AFI100 TOP 068)
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An American in Paris (1951)
Gene Kelly's movie has only been seen in " Singing in the Rain", and...

Georges Guétary
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Serenity 2022-02-07 14:45:34
It was originally thought that the collision of two cultures was presented in the form of song and dance, but it was indeed a song and dance combined with a clichéd love story. The Oscar aesthetics in the 1950s seemed to fall into a bit of flattery to traditional genre films. The combination of singing and dancing and narration is divorced from reality and becomes a purely dream-like scene construction.
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Pete 2022-02-07 14:45:34
The story is a bit anticlimactic, and there are only the emotional lines of the male and female protagonists left, and I can't care about portraying other people. Fortunately, there is wonderful music and a large dance at the end. Jazz, tap, perfect scene transitions under the big set, without singing a single song, expressing emotions with body language. Gene Kelly is really a happy person, always full of upward energy~ Today's technology is advanced, but sometimes the imagination is not as strong as that time.
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Jerry Mulligan: [Narrating] Brother, if you can't paint in Paris, you better give up and marry the boss's daughter.
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Jerry Mulligan: Lise, I don't know whether you're a girl of mystery or just a still water that doesn't run deep, but there's one thing I can tell you. I'd been around sooner, you'd know by now that you're very pretty, and I'm not making fun with you.