Franco Cimino

Kari 2022-03-24 09:03:01

Keywords: novelty, truth-seeking, nihilism, rapid transition between loving and not loving

Anna's sense of alienation, her unease and contradiction. She is a neurotic, somewhat crazy woman. Perhaps it is her sobriety that makes her and Claudia good friends, the two most prominent female characters...

Dakota 2022-04-20 09:02:11

8 points

The original title of the film is "L'Avventura" (1960), and it has other Chinese titles: "Adventure"/"Affair"/"Love"/"Adventure"

This is a classic by Italian director Michelangelo Antonioni. The most famous plot is that the heroine disappears into the story at the very beginning, such as a...

Priscilla 2022-03-20 09:02:23

At the beginning, I was amazed by the section on the island. I sighed that in fact, the landscape of Anxin was more exciting than that of urban; the subsequent development made me understand that in fact, there is no cliché concept of "city" in Anxin. He also photographed urban landscape. It is the "person" who wanders through the entire world of various-scapes. His world is a whole. At this point, there are too many directors and scholars who are concerned about the relationship of "movie-city".

Hosea 2022-03-26 09:01:10

The empty space at the end of "Eclipse" hints at the theme of this film: disappearance, the end of love is the beginning of marriage, in "Adventure", travel becomes a ritual, as a continuation of the relationship in the indoor drama, the alienation of geographical location does not There is no deterritorialization, but a possibility of escape in the folded layer. We can of course find out how the space on the island was rapidly territorialized when Anna disappeared, Sandro's libido hunting for another prey - Claudia, who tried her best to avoid Male Gaze, but A Lear-like Cordelia in the process of eye discipline, where a relationship revolves around the father's name, Anna is absent, but constitutes the fear/desire community of the Big Other, Claudia The emotional journey of a girl means a girl's growth, how to develop love and turn her love to other people of the opposite sex. Claudia doesn't care about Anna's return, and so does the audience. Antonioni's suspense films make the audience "perceive" the absurdity and unknowable logic of themselves or the world through an abnormal rate, what happened after her disappearance ?