Francesco Acquaroli

Donato 2022-03-05 08:02:53

The original text was published in the February issue of "Watching Movies", please indicate when reprinting.

"Christ, or a devil? A saint, or a robber? He is a man. A man of one enemy, a brilliant antagonist, an absolute rebel. Despite his fame, he has always been a perpetual fringe, yes A hero...

Jacklyn 2022-03-05 08:02:53

Abel Ferrara’s long-gestated biopic of Pier Paolo Pasolini has its congenital defect, by cast Willem Dafoe (albeit his striking physical resemblance) as the maestro, hence, the prominent anglophone dialog is rightly incongruous with its milieu and becomes more problematic because the rest Italian...

Kody 2022-04-22 07:01:54

One of the most high-level biopics in the past ten years. On the premise that the external image is relatively close, Dafoe did not try to imitate, interpret, reproduce or restore Pasolini's gestures, but tried his best to outline his outline with light and low-key body movements, supplemented by the external environment, The relationship between the characters provides the audience with an imaginary space. Ninetto Davoli himself starred in the short film inserted into the fable, which especially helped to outline Pasolini's ideological-aesthetic world, forming a good intertextual effect. So that Dafoe speaks English, which does not affect the effect at all.

Diego 2022-04-19 09:03:06

Ferrara has photographed works that are almost inherited from Straub's spirit, but are still his light images, free to reproduce texts and write unfinished chapters, Willem Dafoe, great, to Pasolini's The presentation of death is entirely religious, with a cynical but loving master as a force that unites all the wonderful people around him.