Fosco Giachetti

Fosco Giachetti

  • Born: 1900-3-28
  • Height:
  • Extended Reading
    • Katelin 2022-03-20 09:02:24

      A collective unconscious madness. The recognition of the collectivist life and the simple concept of happiness, and the fear of losing them if they are possible, enables people to remain obedient and silent, tolerate a society based on lies, and be both victims and supporters. Although it refers directly to fascism, it seems to insinuate any political power. Metaphors are everywhere, photography is superb, Lao Bei’s best film.

    • Angel 2022-03-16 09:01:06

      (8.4/10) The entry of political perspective, the traumatic Freud complex of childhood, the combination of power and sex, the confusion after the subversion of beliefs. I saw some of the French New Wave, especially the shadow of Godard (Bertolucci itself was affected by the New Wave), and the strong sense of form (photography, movement, composition, lighting and other visual elements to perfection, which affected the " "The Godfather" and a series of later films). Photographer Storaro was later invited by Coppola to shoot "Apocalypse Now". A good photographer is really important. Bertolucci’s early films showed skilful technique and image expression. A strong personal view of history implies too many metaphors. Although historical factors limit part of the understanding, Bertolucci can still be felt. There is a strong personal expression.

    The Conformist quotes

    • Giulia: Marcello, don't go out. They could hurt you.

      Marcello: I won't be in danger. After all, what have I done? My duty.

      Giulia: But why do you want to go?

      Marcello: I want to see how a dictatorship falls.

    • Giulia: [sexually aroused while kissing Marcello on a couch] If you want... want to...

      Marcello: If I want to...?

      Giulia: Yes, right here... on the floor... on the carpet... Want to?

      Marcello: Better think about the priest. He may not grant absolution.

      Giulia: They grant everyone absolution.