Ernie Dingo

Bobby 2022-04-08 08:01:02

Sammy 2022-04-08 09:01:13

The story is so ridiculous that it gets more and more ridiculous as it goes on, so absurd that it can no longer be described by surrealism. I watched the director's cut, three discs, 280 minutes in length. By the last part of the scene in Australia, it's a complete slump, a far cry from the title...

Daphney 2022-04-20 09:02:56

Under the crisis of the apocalypse, the world gradually becomes a mandala, and Wim Wenders' 2000s "Future" is a kind of Virilio-esque "telex" utopia/dystopian, ubiquitous screen composition A new kind of landscape map, gradually accelerating urban surrealism to primitive, and then to the artificial satellite orbiting the earth at the end, the world is virtualized in a preliminary digital image of the 90s, and early 3D models, Acceleration and retracement are isomorphic. Australia's desert hinterland is the journey's end and the Eden of origin. The crash landing of the plane and the malfunctioning computer tracker are the meltdown of the virtual terrain, and the second identity is obliterated. Henry's original ecological cave as a laboratory of post-humanism is equivalent to its "sacred" meaning in primitive esotericism. In the technical imagination of mysticism, from the image to the "vision" of the soul, it gradually fades into the human being. Disconnected from the collective unconscious, the ubiquitous voice-over is the power in control, an eerie part of Claire and Eugene's relationship.

Sharon 2022-04-08 09:01:13

1. Wenders is a masterpiece, comparable to [Under the Sky in Berlin] [Away from the World] [Paris, Texas] [American Friends]. 2. The 4.5-hour post-apocalyptic sci-fi road film is like an endless journey, from Nice to Berlin, from Moscow to Beijing (with the help of Chen Kaige), from Tokyo to San Francisco, and to the primitive tribes in the empty wilderness of Australia ( Primitive vs futuristic technology), crime road movies have also become eerie and blurred dream apocalypse. 3. The use of color is charming, and the original soundtrack is moving. 4. Photography, images and dreams as motifs: videophone + rough and distorted DV + psychedelic and ambiguous dreamscapes, a cautionary tale for sinking, lost in night dreams and image sequences - "In the beginning there was a way (words) ), there are only images in the end times.” 5. With the narration of Sam Neill throughout the beginning and the end, and his figure always typing or playing the piano, with words/text and music against pictures/images. 6. For the first time, the duality of metropolis and nature is so clearly visible in Wenders' films, and his favorite "Dawn/Sunset on the Horizon" image is constantly reappearing. 7. "There is always tomorrow in science." (9.5/10)