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Demario 2022-04-07 08:01:02
beautiful old movie
When watching this movie, even when I was facing the computer screen, I was amazed by the beautiful coastline, rocky cliffs, flowers blooming in the grass and the stormy waves in the wind and rain. How much shock does it bring to the senses? Especially since this is only a film made in 1970, I have...
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Jarrell 2022-04-07 08:01:02
tragic love story
This film is a love tragedy, depicting a British rural woman who is not bound by traditional concepts, boldly pursues freedom, and is ultimately punished mercilessly. Director David Lean is good at describing the psychological activities of characters. He directed "Late Met", "Blood and Tears of...
Emmet Bergin
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Mathilde 2022-04-07 08:01:02
The film has a detail about the First World War. The rifle that the Irish got from the sea was the German Mauser 98 and the grenade was the M17. It can be seen that the Second German Empire took advantage of the Irish people's eagerness for independence and took advantage of the Irish Republican Army. To support, to wreak havoc in the rear of the British Empire, those weapons were brought in by the Germans in submarines.
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Kathryne 2022-04-21 09:03:52
A past incident in the context of the Irish independence movement revealed the complexity of farmers. They were dissatisfied with the British army but only spoke up. The heroine cheated and scolded her as a prostitute. They responded to the call of the guerrillas to deliver supplies during the rainstorm. After the review, the heroine was abused by lynching (ripping off her clothes and cutting her hair). This is the real local culture. The husband and wife were both in pain because of the huge age difference. Facing his wife's derailment, the husband felt angry and helpless, and also felt sad for the British officer. In fact, none of these three people is right or wrong, and none of them can be tolerated by their own group. The goddess in the movie is not only the defender of the town's morality, but also the adherent of justice. The rare goodwill in the town is concentrated on a fool. At the beginning and end of the film, there is a red glow in the dark night sky, very orthodox classicism, and the photography level is very high. And the male protagonist's humiliation but still bright and magnanimous bearing is also convincing
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Mrs. McCardle: [as Rosy walks out of the store] The way I see it, Mrs. Kenyan. There's loose women and there's whores... and, then, there's British soldier's whores!
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Captain: Well, if it's all the same to you, sir, I'll be straight off. I've given myself leave.
Randolph Doryan: Yes?
Captain: Embarkation leave. France. Second Batallion, Southeast Lanchasires... they're in the front line. Will you tell me something, man to man? What's it like, really - front line?
[Doryan's face expresses discomfort]
Captain: Aye. Well, I'll find out soon enough. I'm a coward, you see. No, I always have been - from being a lad. I can't master it. Well, I don't suppose I've tried, really. I'd give my left arm to have a touch of what you've got. I hate it! Just the bloody thought of it gives me the shakes. In fact, that's my nightmare, the shakes. I don't mind dying - not if it's quick. Life's not that much, is it? I wouldn't mind having a gammy leg, like you've got - though I don't suppose it's funny. But the shakes? Shellshock? Just shaking and shambling like a... epileptic baby? Nay, I'd rather be dead! I can see what's coming - I'm going to disgrace myself...
Randolph Doryan: You don't know what you'll do. No one does - you don't know what you're doing?
Captain: Really? I read what you did in the newspapers. That weren't no flash in the pan - you'd do the same again, I dare say.
Randolph Doryan: You'd be wrong.
Captain: Well, you've done your bit - someone else's turn, eh?
